Selected Images by Giraudon's Artist

Giraudon's Artist: Female Peasant with Bundle of Twigs on Back late 1870's, Albumen print from wet collodion negative, 6-11/16 x 4-5/16 in. (170 x 110 mm), unmounted. t1051j.

Giraudon's Artist: Female Peasant with Pile of Straw late 1870's, Albumen print from wet collodion negative, 6-3/8 x 4-3/8 in. (163 x 112 mm), on original mount. t1076j.

Giraudon's Artist: Girl leaning on pile of straw, with scythe late 1870's, Albumen print from wet collodion negative, 6-5/8 x 4-3/8 in. (168 x 111 mm), unmounted. t1046j.

Giraudon's Artist: Peasant Woman Holding Small Animal late 1870's, Albumen print from wet collodion negative, 4-7/16 x 6-3/4 in. (114 x 172 mm), unmounted., 6 in negative. PF63079 t1034j.

Giraudon's Artist: Shepherdess Leaning Against a Tree, with Two Sheep late 1870's, Albumen print from wet collodion negative, 4-7/16 x 6-3/4 in. (114 x 172 mm), unmounted. t1015j.

Giraudon's Artist: Shepherdess Sleeping, with Two Sheep late 1870's, Albumen print from wet collodion negative, 4-3/8 x 6-11/16 in. (112 x 170 mm), unmounted., A.71. in negative. t1017j.

Giraudon's Artist: Shepherdess Under a Tree, with Two Sheep late 1870's, Albumen print from wet collodion negative, 4-3/8 x 6-11/16 in. (112 x 170 mm), unmounted. t1026j.

Giraudon's Artist: Two Shepherdesses Resting, with Two Sheep late 1870's, Albumen print from wet collodion negative, 4-7/16 x 6-1/2 in. (114 x 166 mm), unmounted. t1018j.

Giraudon's Artist: Two Women Eating late 1870's, Albumen print from wet collodion negative, 4-5/16 x 6-3/4 in. (110 x 172 mm), unmounted. t1002j.

Giraudon's Artist: Woman Standing with Basket and Branch late 1870's, Albumen print from wet collodion negative, 6-9/16 x 4-3/8 in. (168 x 112 mm), unmounted. t1007j.

Giraudon's Artist: Dog and Puppy in Barrel late 1870's, Albumen print from wet collodion negative, 4-1/4 x 6-11/16 in. (108 x 170 mm), unmounted. t1061j.

Giraudon's Artist: Female Peasant Leaning on Strawpile late 1870's, Albumen print from wet collodion negative, 6-9/16 x 4-3/8 in. (168 x 112 mm), unmounted. t1046j.

Giraudon's Artist: Two Women Standing with Baskets, with Dog late 1870's, Albumen print from wet collodion negative, 4-5/16 x 6-9/16 in. (110 x 168 mm), unmounted. t1005j.

Giraudon's Artist: Two Shepherdesses with Sheep 1870's, Albumen print from wet collodion negative, 4-3/8 x 6-5/8 in. (112 x 169 mm), unmounted. s1063j.

Giraudon's Artist: Two women resting on bundles 1870's, Albumen print from wet collodion negative, 6-5/8 x 4-7/8 in. (168 x 124 mm), unmounted. s1075j.

Adrien Tournachon (Nadar Jeune): Bretonne Cow, with Handler c. 1856, Coated salt print from wet collodion negative, 8 x 10-5/8 in. (204 x 271 mm), on original mount with title in ink in German., Probably made at the Exposition Agricole of1856. w1877.

Antonio Reynoso: Descanso (Rest) 1941, Vintage silver print, 6 x 4-5/16 in. (154 x 110 mm), unmounted, with ink title, date, and artist's name and address on verso. w2616.

Antonio Reynoso: (Empty Street) 1960's, Silver print, 7-5/8 x 11-3/8 in. (195 x 290 mm), unmounted, signed, titled and dated illegibly on verso in pencil. w5134.

Antonio Reynoso: Woodgatherers, Hidalgo, Mexico 1973, Vintage silver print, 8-1/8 x 11-3/8 in. (208 x 290 mm), unmounted, signed and titled in ink recto. w3089.

Antonio Reynoso: Untitled (Man and two cows) 1975, Vintage silver print, 8-1/8 x 11-3/4 in. (206 x 298 mm), on original mount, signed and dated. w3519.

Armando Salas Portugal: Templo de los Guerreros, Chichen Itza c.1953, Vintage hand-colored silver print, 12-9/16 x 10-5/8 in. (320 x 271 mm), On original mount. w3243.

Armando Salas Portugal: Fountain, Barragans' Jardines del Pedregal subdivision 1948, Vintage silver print, 10-9/16 x 13-1/2 in. (270 x 343 mm), unmounted, photographer's inkstamp and pencil inscriptions on reverse. w2785.

Armando Salas Portugal: Selva de Chiapas / Jungle of Chiapas c. 1949, Vintage hand-colored silver print, signed lower right, 19-5/8 x 14-15/16 in. (500 x 380 mm), on original mount, trimmed. w3326.

Armando Salas Portugal: (Landscape in fog) 1950's, Vintage hand-colored silver print, 11-1/16 x 10-7/16 in. (282 x 266 mm), on original mount. w3245.

Armando Salas Portugal: (Landscape with Two Trees) 1950's, Vintage hand-colored silver print, 10-7/16 x 13-3/8 in. (266 x 340 mm), on original mount, trimmed. w3321.

Armando Salas Portugal: Selvas de Yaxchilan 1950's, Vintage hand-colored silver print, signed lower right, 15-3/8 x 19-1/4 in. (392 x 490 mm), on original mount, trimmed. w3322.

Armando Salas Portugal: La Serpiente de El Eco (Mathias Goeritz) c. 1953, Vintage silver print, 10-9/16 x 13-1/2 in. (269 x 344 mm), unmounted, artist's inkstamp on verso. w3203.

Armando Salas Portugal: Foto Pensamiento 1967-72, Vintage silver print, 8-3/8 x 6-11/16 in. (214 x 170 mm), unmounted. w2742.

Armando Salas Portugal: Foto Pensamiento 1967-72, Vintage print on Kodak paper, 9-3/4 x 7-3/4 in. (248 x 197 mm), unmounted. w2962.

Armando Salas Portugal: Baja California, Mexico c. 1968, Vintage silver print, hand-colored, 20 x 24 in. (508 x 610 mm), on original mount. w3005.

Arthur Siegel: Photogram 1949, Vintage silver print, artist's credit stamp on verso, 13-1/2 x 10-1/2 in. (343 x 267 mm), unmounted. w3433.

Auguste Salzmann: Jerusalem, Ornements Arabes 1854, Blanquart-Evrard salt print from waxed paper negative, 9-1/4 x 13 in. (235 x 330 mm), on original lithographed mount. J1020.

Auguste Salzmann: Jerusalem: Enceinte du Temple, Arche du pont salomonian qui reliait Moria a Sion 1854, Blanquart-Evrard salt print from waxed paper negative, 9-1/16 x 12-15/16 in. (231 x 330 mm), on original lithographed mount. t1143.

Auguste Salzmann: Jerusalem: Fontaine de Couvent Grec 1854, Blanquart-Evrard salt print from waxed paper negative, 9-1/4 x 12-5/8 in. (235 x 321 mm), on original lithographed mount., Cistern at the Greek Convent. Illustrated: 19th Century French Photographs From the National Gallery of Canada, Borcoman, 2010, plate 56. w5025.

Auguste Salzmann: Jerusalem, Tombeau du Rois de Juda: Couvercle d'un sarcophage et fragment d'une porte en pierre. 1854, Blanquart-Evrard salt print from waxed paper negative, 9-1/4 x 13-1/4 in. (235 x 337 mm), on original lithographed mount. t1119j.

Auguste Salzmann: Jerusalem, Tombeau du Rois de Juda: Fragments d'un sarcophage 1854, Blanquart-Evrard salt print from waxed paper negative, 9-1/4 x 13-1/4 in. (236 x 337 mm), on original lithographed mount. t1118j.

Auguste Salzmann: Jerusalem, Vallee de Josaphat: Fronton du Tombeau de Josaphat 1854, Blanquart-Evrard salt print from waxed paper negative, 9-1/8 x 12-7/8 in. (233 x 328 mm), on original lithographed mount., Plate from Jerusalem, époques judaïque, romaine, chrétienne, arabe, explorations photographiques. t1117j.

Auguste Salzmann: Jerusalem: Escalier Arabe de Sainte-Marie La Grande 1854, Blanquart-Evrard salt print from waxed paper negative, on original lithographed mount. z1040.

Bernice Kolko: Vendedor de frutas, Alvarado, Veracruz c.1960, Vintage silver print, 13-15/16 x 11 in. (355 x 280 mm), on original mount, signed and titled in pencil on verso., Illustrated: Rostros de Mexico, Fotografias de Bernice Kolko, Castellanos, UNAM, 1966, plate 29. w2716.

Bernice Kolko: Pastoras / Shepherds, Chamulas, Chiapas 1952, Vintage silver print, 12-7/8 x 10-1/4 in. (328 x 262 mm), on original mount, titled and signed in pencil., Illustrated: Rostros de Mexico, Fotografias de Bernice Kolko, Castellanos, UNAM, 1966, plate 2. w2718.

Bernice Kolko: Mujer cargando canasta / Woman carrying basket, Juchitan, Oaxaca 1954, Vintage silver print, initialed BK in pencil on verso, 13-3/8 x 10-3/8 in. (340 x 265 mm), unmounted., Illustrated "Bernice Kolko Fotografa", Zuniga and Rodriguez, Ediciones del Equilibrista, Mexico, 1996, n.p. w2717.

Bernice Kolko: Alfabetizacion, Ciudad de Mexico 1955, Vintage ferrotyped silver print, 9-3/4 x 7-5/8 in. (248 x 194 mm), unmounted., Illustrated: "Bernice Kolko Fotografa", Zuniga and Rodriguez, Ediciones del Equilibrista, Mexico, 1996, n.p. Titled in ink with cropping indications and typed title label, various numbers including 53, 39, 17, and 53 /1013 on reverse. w2713.

Bernice Kolko: Diego Rivera in his Studio 1955, Vintage silver exhibition print, 19-7/8 x 16 in. (505 x 406 mm), on original mount trimmed to image., Titled in ink "Maestro Diego Rivera Pintor Muralista Ciudad" in ink and "PARIS" and 28 in pencil on verso. Variant illustrated "Bernice Kolko Fotografa", Zuniga and Rodriguez, Ediciones del Equilibrista, Mexico, 1996, n.p. Illustrated: "Rostros de Mexico", Fotografias de Bernice Kolko, Castellanos, UNAM, 1966, plate 137. w2693.

Bernice Kolko: Los Peregrinos / Pilgrimage, Ixtapalapa 1958, Vintage silver exhibition print, titled and signed in pencil on mount recto, 11 x 13-1/2 in. (280 x 343 mm), on original mount., Illustrated "Bernice Kolko Fotografa", Zuniga and Rodriguez, Ediciones del Equilibrista, Mexico, 1996, n.p. Pencil title "Pilgrimage" and signature in pencil on verso. 1904-1970. w2696.

Bernice Kolko: Cosolaque, Veracruz c. 1960, Vintage silver print, 13-3/8 x 8-5/8 in. (340 x 220 mm), on original mount, signed in pencil., Illustrated: Rostros de Mexico, Fotografias de Bernice Kolko, Castellanos, UNAM, 1966, page 8. w2719.

Bernice Kolko: Madre e hija con sus mejoes ropas / Mother and daughter in their best clothes, Janitzio, Michoacan c. 1960 ?, Vintage silver print, 19-3/8 x 15-5/8 in. (493 x 398 mm), on original mount, titled in ink on verso., Illustrated "Bernice Kolko Fotografa", Zuniga and Rodriguez, Ediciones del Equilibrista, Mexico, 1996, n.p. w2721.

Bernice Kolko: Surcos y arrugas / grooves and wrinkles, Ciudad de Mexico c. 1960 ?, Vintage silver print, 19-3/8 x 15-5/8 in. (493 x 398 mm), on original mount, titled and signed in ink on verso., Illustrated: Rostros de Mexico, Fotografias de Bernice Kolko, Castellanos, UNAM, 1966, plate 99. w2722.

Bernice Kolko: Two men watching c. 1960, Vintage silver print, 8-1/8 x 7-1/2 in. (208 x 191 mm), unmounted, unsigned. w2720.

Beuford Smith: Boys Playing in Doorway, Brooklyn 1968, Vintage silver print, 7-3/8 x 4-1/2 in. (188 x 115 mm), unmounted, signed and titled in pencil verso., With pencil title, date, and ink credit stamp on verso. w3057.

Beuford Smith: From the Church Series 1970, Vintage silver print, 9-7/16 x 6-3/4 in. (240 x 173 mm), unmounted, signed and titled in pencil verso., With pencil title, date, and ink credit stamp on verso. w3056.

Captain Linnaeus Tripe: No. 114. Rangoon. The Votive Tree 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 13-1/16 x 10-1/16 in. (332 x 256 mm), on original mount with printed title., A votive tree festooned with prayer pennants at Rangoon in Burma. Tripe wrote of this image probably taken in the precincts of the Shwe Dagon Pagoda, 'Offerings of muslin are suspended from this in honor of Gautama; some even have prayers written on them in the idea that every breeze would waft their petitions to Gautama'. w2114.

Captain Linnaeus Tripe: No. 118. Rangoon. Natural Bridge 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 9-7/8 x 13-1/16 in. (252 x 333 mm), on original mount with printed title. w2118.

Captain Linnaeus Tripe: No. 22. Pugahm Myo [Pagan]. Flat Arch in Damayangyee Pagoda. [Dhamma-yan-gyi] 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 10-9/16 x 13-3/8 in. (270 x 341 mm), on original mount with printed title., An arch of the Dhamma-yan-gyi temple in the Pagan (Bagan) region of Burma. Capital of the first kingdom of Burma from the 11th to the 14th century, Pagan is one of the most important archaeological sites in South East Asia, with the remains of over 2000 stupas, temples and monasteries scattered over a 30 km radius. Noted for its fine brickwork, the powerful shape of this massive temple is one of the most enigmatic in Pagan. w2022.

Captain Linnaeus Tripe: No. 35. Tsaing Myo [Sagaing]. Kowa-doung Pagoda 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 9-7/8 x 13-1/4 in. (252 x 338 mm), on original mount with printed title., Pagodas, with the Irrawaddy (Ayeyarwady) visible in the background at Sagaing in Burma (Myanmar), The photographer wrote, 'The terrace, on which this stands, is one of three covered with Pagodas and Kyoungs. On the opposite of the Irrawadi is Ava; the river at this point is about 1100 yards broad'. w2035.

Captain Linnaeus Tripe: No. 37. Ava. Tower of the Palace 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 10-7/16 x 13-1/4 in. (266 x 337 mm), on original mount with printed title., A watchtower at Ava (Inwa) in Burma. Much of Ava including the 19th century palace of King Bagyidaw at its centre was destroyed in a disastrous earthquake in 1838. The Nanmyin is all that remains of the palace although the upper part of this 30 m high masonry tower was destroyed. The lower part leans to one side, earning it the nickname of 'the leaning tower of Ava'. w2037.

Captain Linnaeus Tripe: No. 46 Amerapoora. Colossal Statue of Gautama close to the N. end of the (wooden) bridge 1855, Lightly coated salt print from waxed paper negative, 9-15/16 x 13-1/2 in. (253 x 344 mm), on original mount., This print loaned to NGA/Met Tripe exhibition and is plate 18 in Captain Linnaeus Tripe Photographer of India and Burma, 1852-1860, National Gallery of Art, 2014. z1113.

Captain Linnaeus Tripe: No. 51. Amerapoora. Sekia Pagoda 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 9-13/16 x 13-9/16 in. (250 x 345 mm), on original mount with printed title., Tripe wrote of this temple, 'This is the resort of Astrologers, (Brahmins, natives of India, or Manipore) who sit on the ground under the spacious colonnades of the Pagoda with mysterious looking scrolls and diagrams before them, quite ready to reward liberality after their own fashion'. w2051.

Captain Linnaeus Tripe: No. 52. Amerapoora. Mosque 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 13-1/2 x 10-11/16 in. (343 x 273 mm), on original mount with printed title., A view looking towards the ornately embellished minaret of a mosque at Amarapura in Burma. Tripe wrote of this mosque,'This is in China Street. There are some thousands of Mahomedans and numbers of Mosques in and about Amerapoora. The architecture of the latter partakes much of the Burmese element'. w2052.

Captain Linnaeus Tripe: No. 53. Amerapoora. Nagayoung Pagoda. [Naga-yon temple] 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 12-11/16 x 10-3/8 in. (323 x 265 mm), on original mount with printed title., The Nagayon temple at Amarapura in Burma (Myanmar). Tripe wrote of this temple, 'This symbolises a legend in the history of Gautama, when he was sheltered by a dragon in its folds'. The large 'naga' or serpent, which gives the unusual early 19th century Nagayon its name, looms protectively up over the shrine which shelters the main image of the Buddha. w2053.

Captain Linnaeus Tripe: No. 54. Amerapoora. Bodan Pagoda 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 9-15/16 x 13-11/16 in. (253 x 348 mm), on original mount with printed title., The Patodawgyi temple at Amarapura in Burma. One of the best-known pagodas of the city is the Patodawgyi, sited just outside the old city wall to the south. It was built by King Bagyidaw in 1820, shortly before he shifted the capital back to Ava. w2054.

Captain Linnaeus Tripe: No. 56. Amerapoora. View on the Lake 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 8-3/4 x 13-11/16 in. (224 x 348 mm), on original mount with printed title., A general view looking across Taungthaman Lake to the city of Amarapura in Burma\ Amarapura was designed upon a square mandala, or diagram illustrating cosmological ideas. Each of the twelve city gates, three along each wall, was surmounted by a Burmese style pavilion known as a pyat-that. w2056.

Captain Linnaeus Tripe: No. 71. Amerapoora. A street leading to the Palace 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 10 x 13-5/8 in. (254 x 347 mm), on original mount with printed title., Tripe wrote of this view looking along a street lined with single-storied thatched houses towards the pyat-that or tiered platform of the palace in the distance, 'The Ooh-nein gate leads into this street. The Palace is the centre of the city, and the streets leading from the central gate of each face converge on it'. w2071.

Captain Linnaeus Tripe: No. 89. Amerapoora. A doorway of Kyoung No. 86 [Maha-too-lo-Bounghian Kyoung] 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 13-7/16 x 10 in. (342 x 255 mm), on original mount with printed title., Taken at Amarapura in Burma, with a view of the richly-carved doorway of a kyaung (monastery). Tripe wrote of this monastery, 'The door itself is scarcely more than five and a half feet high'. w2089.

Captain Linnaeus Tripe: No. 9. Ye-nan-gyoung [Yenangyaung]. Balcony of a Kyoung 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 10-1/8 x 13-1/16 in. (258 x 333 mm), on original mount with printed title., Tripe declared the wood-carving on the balcony of the monastery, 'Quite Burmese in its grotesqueness'. Yenangyaung is a town in west-central Myanmar on the Ayeyarwady (Irrawaddy), long the centre of the most productive oil-fields in the country. w2009.

Captain Linnaeus Tripe: No. 90. Amerapoora. Front of the West part of Kyoung No. 86 [Maha-too-lo-Bounghian Kyoung] 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 13-9/16 x 10-11/16 in. (346 x 273 mm), on original mount with printed title., The splendid carved-wood facade of a kyaung (monastery) at Amarapura in Burma (Myanmar). w2090.

Captain Linnaeus Tripe: No. 91. Amerapoora. Balcony of Kyoung No. 86 [Maha-too-lo-Bounghian Kyoung] 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 10-1/2 x 13-5/8 in. (268 x 347 mm), on original mount with printed title., The balcony of a kyaung (monastery) at Amarapura in Burma. Wood-carving is a living tradition in Burma, wood-carvers are supremely skilled in translating motifs from a treasury of legends and floral patterns into different types of woods. w2091.

Captain Linnaeus Tripe: View of the Country Looking N.N.W. from the Top of the Ryakotta Hill 1858, Albumenized salt print from waxed paper negative, 10-1/4 x 14 in. (260 x 356 mm), on original mount., Plate from "Photographic Views of Ryakotta and Other Places in the Salem District." Provenance: ex-collection of the eighth Earl of Elgin. December 1857-January 1858. This print illustrated: Taylor, Impressed by Light, NGA, Metropolitan, and Yale, 2007, plate 114. September-October 1855. Also, plate 35 in Captain Linnaeus Tripe: Photographer of India and Burma, 1852-1860, National Gallery of Art, Metropolitan Museum of Art, 2014. N1149.

Carleton Watkins: The Devil's Canon, Geysers c. 1868, Mammoth albumen print from wet collodion negative, 16.5 x 21.5 in. (419 x 546 mm), on original mount with calligraphic title. w1468.

Charles L. Weed: Yosemite Falls and Valley, with Fishermen 1865, Mammoth albumen print from wet collodion negative, 15-5/8 x 19-1/2 in. (397 x 495 mm), on original mount. z1159.

Charles Marville: Cathedrale de Chartres, Grandes figures du porche royal c. 1852, Blanquart-Evrard salt print from waxed paper negative, 11-7/8 x 9-1/4 in. (302 x 235 mm), on original mount with another image's lithographed title on recto., Illustrated: Full page #69, Blanquart-Evrard et les Origines de L'Edition Photographique Française, Jammes, Paris 1981. w5111.

Charles Marville: Bois de Boulogne, Waterfall 1858-60, Albumen print from wet collodion negative, 9-3/4 x 13-9/16 in. (248 x 346 mm), on original mount. w2312.

Charles Negre: Profile of the Doorway, St. Trophime, Arles 1852/3, Salt print from a waxed paper negative, 5-5/8 x 6-5/8 in. (143 x 168 mm), on original mount. w1603.

Clarence John Laughlin: The Iron Flower 1949, Vintage ferrotyped silver print, 13-1/4 x 10-3/4 in. (337 x 273 mm), on original mount, signed, titled and dated in white pencil., With copyright stamp on reverse with initials and printing notations and "vintage print U-60" in ink in artist's hand on adhered linen tape. Illustrated: Clarence John Laughlin: The Personal Eye, Williams, Philadelphia Museum of Art / Aperture, 1973, page 93. The interior of old New Orleans City Hall. w2732.

Clarence John Laughlin: A Vision of Dead Desire 1954 / 1979, Silver print, 13-1/2 x 9-1/2 in. (343 x 241 mm), on original mount, signed, titled and dated in white ink., Dated, initialed, annotated in ink and copyright credit reproduction limitation stamp on a label on reverse of mount. Illustrated: Aperture, Clarence John Laughlin, 1974, cover, p. 115, and Davis, Clarence John Laughlin: Visionary Photographer, 1990, pl. 88. w2745.

Edward Weston: Portrait of Tina 1921, Vintage palladium or platinum print on matte paper, 9-5/16 x 7-3/8 in. (238 x 188 mm), on original mount, signed, titled and dated by Weston and inscribed by Modotti., Not listed in Conger nor other sources we could find. w3695.

Eugene Atget: St. Cloud (Stairway and Vase) 1922, Vintage arrowroot print, 7 x 9-3/16 in. (178 x 234 mm), unmounted., Ex-MoMA, deaccessioned in the mid 1970's. "compared to the more objective, declarative explanatory character of his earlier work, Atget's postwar pictures are overtly subjective, idiosyncratic, lyrical, and suggestive. They are less concerned with facts than with life." Maria Morris Hambourg, Volume II: The Art of Old Paris, page 30. w1575.

Felix Teynard: Thebes: Gournah, Trone des Colosses , Salt print from waxed paper negative, 9-1/2 x 12 in. (243 x 305 mm), on original mount., Inscription in pencil on mount in period hand. Likely a print made before the Fonteny edition. w1400.

Felix Teynard: General View of the Ruins, Kom-Ombo 1851-2, Fonteny salt print from waxed paper negative, 9-1/4 x 11-3/4 in. (235 x 300 mm), unmounted., Illus. as pl. 79 in Felix Teynard: Calotypes of Egypt. I1038.

Felix Teynard: Karnak (Thebes) Palais, Salle Hypostyle, Decoration 1851-2, Fonteny salt print from waxed paper negative, 12 x 9-3/4 in. (306 x 249 mm), on original lithographed mount. w2222.

Frank Chauvassaignes: Orchid on a Stand c. 1856, Albumen print from wet collodion negative, 3-7/8 x 5-11/16 in. (100 x 145 mm), unmounted, ink notation of genus on reverse in period hand., Cyp. carbatum (?) v. grandiflorum w1891.

Frank Chauvassaignes: Rural village houses in landscape c. 1856, Salt print from waxed paper negative, 6-1/8 x 6-7/8 in. (156 x 176 mm), on original mount. N1346.

Frank Chauvassaignes: Forest Landscape c. 1856, Waxed salt print from waxed paper negative, 8-1/2 x 6-1/2 in. (216 x 165 mm), on original mount. N1105j.

Gloria Frausto: La Duiesion (The Owner) 1981, Vintage silver print, 6-1/8 x 9-1/4 in. (156 x 236 mm), on original mount, signed, titled and dated in pencil. w3251.

Gloria Frausto: Los de Polanco 1981, Vintage silver print, 6-1/8 x 9-3/8 in. (156 x 239 mm), on original mount, signed, titled and dated in pencil. w3250.

Gloria Frausto: Untitled (Mermaid) 1981, Vintage silver print, 7-1/4 x 8-1/4 in. (185 x 210 mm), on original signed mount. w3292.

Gloria Frausto: La Huelga (the Strike) 1982, Vintage silver print, 9-3/16 x 6-1/4 in. (234 x 160 mm), on original mount, signed, titled and dated in pencil. w3252.

Gloria Frausto: Untitled (barrels and stands) 1982, Vintage silver print, 6 x 9-1/4 in. (154 x 236 mm), on original mount, signed and dated in pencil., In original tan overmat. w3247.

Gloria Frausto: Untitled (Boy leaning) 1982, Vintage silver print, 9-3/8 x 6-1/4 in. (239 x 160 mm), on original signed mount. w3291.

Gloria Frausto: Untitled (young man and fabrics) 1982, Vintage silver print, 6-5/16 x 9-1/2 in. (162 x 242 mm), on original mount, signed and dated in pencil., In original tan overmat. w3248.

Gloria Frausto: Untitled (doorway) 1983, Vintage silver print, 9-3/8 x 6-3/8 in. (239 x 163 mm), on original mount, signed and dated in pencil., In original tan overmat. w3246.

Gloria Frausto: Untitled (interior with child and dog) 1983, Vintage silver print, 8-1/4 x 6-13/16 in. (210 x 174 mm), on original mount, signed and dated in pencil., In original tan overmat. w3249.

Gloria Frausto: Body Parts 1985, Vintage silver print, 13-3/4 x 9-1/4 in. (351 x 236 mm), on original mount, signed, titled and dated in pencil. w3254.

Gloria Frausto: (Movement multiple exposure) c. 1986, Vintage silver print, 12-3/8 x 9-3/4 in. (315 x 248 mm), on original signed mount. w3286.

Gloria Frausto: (Movement multiple exposure) c. 1986, Vintage silver print, 13-5/8 x 8-1/4 in. (347 x 210 mm), on original signed mount. w3287.

Gloria Frausto: (Movement multiple exposure) c. 1986, Vintage silver print, 13-7/8 x 9-5/8 in. (353 x 245 mm), on original signed mount. w3288.

Gloria Frausto: La Revolucion 1986, Vintage silver print, 6-1/8 x 9-1/4 in. (156 x 236 mm), on original mount, signed and dated in pencil. w3253.

Gustave Le Gray: Bas-Bréau, Forest of Fontainebleau 1852, Lightly abumenized salt print from waxed paper negative, red signature inkstamp lower right corner, 10 x 14-7/8 in. (254 x 378 mm), on original mount., Illustrated: Frontispiece, plate 1, Aubenas: Gustave Le Gray 1820-1884, 2002, BNF, Getty. That print is from the Musée Ingres, Montauban; presumably no better print (the current print was unknown at the time) was located. z1121.

Gustave Le Gray: The Nile at Aswan 1867, Albumen print from waxed paper negative, blue inkstamp lower center right recto, 12-1/8 x 16 in. (309 x 407 mm), on original mount with pencil title., Le Gray accompanied the children and retainers of the Pasha of Egypt in a trip down the Nile in early 1867, which is presumably when this picture was made. w2750.

John Stewart: Entrée du Vallé d'Ossau 1852, Blanquart-Evrard salt print from waxed paper negative, 8-3/4 x 12-1/4 in. (222 x 311 mm), on original mount. w2255.

John Stewart: Chateau de Pau 1853, Blanquart-Evrard salt print from waxed paper negative, 8-1/16 x 11-1/8 in. (205 x 284 mm), on original mount., Plate from "Souvenirs de Pyrénées". w2386.

Kati Horna: Subida a la Catedral, Barcelona (Ascending to the Cathedral) 1938 / 1960's, Vintage silver print, 9-7/8 x 8 in. (251 x 203 mm), unmounted, signed and stamped verso., Artist's inkstamps ("Foto KATI", "FOTO KATI HORNA" and "Alliance Photo") and signature in pencil on verso. Illustrated: Kati Horna, 2013, Jeu de Paume and Museo Amparo, page 103. On backstamped Leonar paper. Published in Libre-Studio 9, March 1938 and there titled "Spanish Women Before the Revolution". w3135.

Kati Horna: Carnaval de Huejotzingo, Puebla 1941/later, Silver print, late 1960's (?), 7-7/8 x 9-7/8 in. (201 x 252 mm), unmounted, signed in pencil and inkstamp on verso., Artist's inkstamp on verso. Illustrated: Kati Horna, 2013, Jeu de Paume and Museo Amparo, page 139.3 small retouched emulsion losses in center left person's chest area. w3257.

Kati Horna: Asylum Patient, La Castaneda, Mixcoac CDMX (Dancing Deaf-Mute Man) 1944/later, Silver print, 1960's, 9-3/8 x 7-1/16 in. (239 x 181 mm), unmounted, signed in pencil and inkstamp on verso. w3256.

Kati Horna: Museo de Cera, Mexico City 1950, Vintage silver print, 8-7/8 x 8-1/8 in. (226 x 208 mm), unmounted, signed in pencil and artist's inkstamp on reverse., Another print illustrated: Kati Horna, 2013, Jeu de Paume and Museo Amparo, page 197. This print does not appear to fluoresce. w2779.

Kati Horna: (Seated by bed) from Oda a la Necrofilia 1962, Vintage silver print on matte paper, unmounted, 9-1/2 x 7-3/4 in. (242 x 197 mm), signed & "Leonora Carrington, Fetiches, SNOB" in pencil verso., In pencil on verso: signature twice and "Leonora Carrington, Fetiches, SNOB" and with black ink credit stamp "Foto Kati Horna". w3313.

Kati Horna: Untitled, from "Historia de un vampiro. Sucedio en Coyoacan" 1962, Vintage silver print, signed bottom left recto, 7-3/8 x 9-3/8 in. (188 x 239 mm), on original mount trimmed to image., Large pencil 15 and small pencil 18901 (?) in later white label on reverse of mount. w2986.

Kati Horna: Untitled, from Oda a la Necrofilia 1962, Vintage silver print, signed and stamped on verso, 9-7/8 x 7-15/16 in. (252 x 202 mm), unmounted., Variants illustrated: S.nob num. 2, 27 June 1962. Also, Kati Horna, 2013, Museum Amparo and Jeu de Paume, page 159-65. The model is artist Leonora Carrington. w3183.

Kati Horna: Torres de AutoMex, arch. Mathias Goeritz, Toluca 1964, Vintage silver print, 7-9/16 x 8-1/4 in. (193 x 210 mm), unmounted, artist's credit stamp on verso., Another print illustrated: Kati Horna, 2013, Jeu de Paume and Museo Amparo, page 204 This print does not appear to fluoresce. w3363.

Kati Horna: (wall and hand) from Muros de Mexico 1978, Vintage dye transfer (?) print, 9-3/4 x 7-7/8 in. (249 x 201 mm), unmounted, signed & dated in pencil & with inkstamp verso., Titled in artist's hand and signed "Kati H" in pencil on verso. w3368.

Kati Horna: (walll with grafitti) from Muros de Mexico 1978, Vintage dye transfer (?) print, 0 x 0 in. (0 x 0 mm), unmounted, signed & dated in pencil & with inkstamp verso., From the series she did in collaboration with the architect Ricardo Legoreta Vilchis. w3371.

Kati Horna: From the Muros de Mexico series 1978, Vintage dye transfer print, 14 x 10-7/8 in. (356 x 276 mm), unmounted, initialed, titled and dated in pencil verso., With two inkstamps on verso. w3483.

Kati Horna: From the Muros de Mexico series 1978, Vintage dye transfer print, 14 x 10-7/8 in. (356 x 276 mm), unmounted, initialed, titled and dated in pencil verso., With two inkstamps on verso. w3482.

Kati Horna: From the Muros de Mexico series 1978, Vintage dye transfer print, 9-3/4 x 7-7/8 in. (248 x 200 mm), unmounted, initialed, titled and dated in pencil verso., With inkstamp and pencil "Ricardo Legorreta Vilchis" on verso. w3484.

Kati Horna: Muros de Mexico 1978, Vintage dye-transfer print, 8-1/16 x 7-3/4 in. (206 x 198 mm), unmounted, titled, signed and stamped on verso., From the series she did in collaboration with the architect Ricardo Legorreta Vilchis. w3437.

Kati Horna: Muros de Mexico 1978, Vintage dye-transfer print, 8-1/16 x 8-1/16 in. (206 x 205 mm), unmounted, titled, signed and stamped on verso., From the series she did in collaboration with the architect Ricardo Legorreta Vilchis. w3435.

Kati Horna: Muros de Mexico (blue wall and door) 1978, Vintage dye transfer print, 13-5/8 x 10-5/8 in. (346 x 270 mm), unmounted, signed, titled, stamped and dated verso. w3675.

Kati Horna: Muros de Mexico (pink brick wall) 1978, Vintage dye transfer print, 13-5/8 x 10-5/8 in. (346 x 270 mm), unmounted, signed, titled, stamped and dated verso. w3672.

Kati Horna: Muros de Mexico (pink, yellow, black w/ stripes) 1978, Vintage dye transfer print, 13-5/8 x 10-5/8 in. (346 x 270 mm), unmounted, signed, titled, stamped and dated verso., Pencil signature, initials, title and "Ricardo Leggoreta Vilchis" with inkstamps on verso. From the series done for the Celanese book project with Leggoreta. w3674.

Kati Horna: Muros de Mexico (varied wall textures) 1978, Vintage dye transfer print, 9-5/8 x 7-5/8 in. (244 x 194 mm), unmounted, signed, titled, stamped and dated verso., Pencil signature, initials, title and "Ricardo Leggoreta Vilchis" with inkstamps on verso. From the series done for the Celanese book project with Leggoreta. w3669.

Kati Horna: Muros de Mexico (violet, green, yellow) 1978, Vintage dye transfer print, 9-5/8 x 7-5/8 in. (244 x 194 mm), unmounted, signed, titled, stamped and dated verso. w3670.

Kati Horna: Muros de Mexico (yellow,black, violet) 1978, Vintage dye transfer print, 13-5/8 x 10-5/8 in. (346 x 270 mm), unmounted, signed, titled, stamped and dated verso. w3673.

Laura Gilpin: El Castillo, Chichen Itza, from the Dance Platform 1961, 10-11/16 x 13-3/4 in. (272 x 350 mm), on original mount, signed and dated in pencil., With artist's label with typed title and date on reverse of mount. w5120.

Lazaro Blanco: Untitled (bags, boy, fence) c.1979, Vintage silver print, 7-3/4 x 7-3/4 in. (197 x 197 mm), on original mount, credit inkstamp verso. w3715.

Lazaro Blanco: Untitled (birdcage and barrel) c.1979, Vintage silver print, 7-7/8 x 7-3/4 in. (200 x 197 mm), on original mount., 20/16 8-1/4 by 8 3/8 Illustrated: Luces Y Tiempos: Lazaro Blanco, page 56, 1987, Fondo de Cultura Económica, Mexico, Edicions Rio de Luz. w3716.

Lazaro Blanco: Untitled (cooking at market) c.1975-80, Vintage silver print, 7-1/2 x 7-1/2 in. (191 x 191 mm), unmounted. w3720.

Lazaro Blanco: Untitled (Fire eater) c.1979, Vintage silver print, 7-7/8 x 7-3/4 in. (200 x 197 mm), on original mount. w3714.

Lazaro Blanco: Untitled (hanging tubs) c.1975-80, Vintage silver print, 7 x 7 in. (178 x 178 mm), unmounted. w3718.

Lazaro Blanco: Untitled (person behind column) c.1975-80, Vintage silver print, 7-1/2 x 7-1/2 in. (191 x 191 mm), unmounted. w3717.

Lazaro Blanco: Untitled 1969, Vintage silver print, 4-7/16 x 4-3/8 in. (113 x 112 mm), credit stamp on verso., Mexican, 1938-2011. paris?? w3420.

Lazaro Blanco: (Bicyclist and tracks) 1970's, Vintage silver print, 7-5/8 x 7-5/8 in. (195 x 194 mm), on original mount., Illustrated: Luces Y Tiempos: Lazaro Blanco, page 4, 1987, Fondo de Cultura Económica, Mexico, Edicions Rio de Luz. 14 18 8 by 8 w3494.

Lazaro Blanco: Leon, Mexico 1971, Vintage silver print, 10-1/2 x 10-1/2 in. (267 x 268 mm), unmounted, signed titled & dated in pencil on verso., With ink credit stamp on verso. Illustrated: Luces Y Tiempos: Lazaro Blanco, page 15, 1987, Fondo de Cultura Económica, Mexico, Edicions Rio de Luz. w3384.

Lazaro Blanco: (Laundry drying) 1975-80, Vintage silver print, 14-15/16 x 14-7/8 in. (380 x 378 mm), unmounted, signed in ink. w3676.

Lazaro Blanco: Col. Nezahualcóyotl (Aranas (Huellas)) 1975, Vintage silver print, 7-7/8 x 7-5/8 in. (201 x 195 mm), on original mount, signed titled and dated on recto. w3496.

Lazaro Blanco: Malinalco 1975, Vintage silver print, 7-13/16 x 7-13/16 in. (200 x 200 mm), on original mount, signed, titled and dated., Illustrated: Luces Y Tiempos: Lazaro Blanco, page 32, 1987, Fondo de Cultura Económica, Mexico, Edicions Rio de Luz. w3392.

Lazaro Blanco: Untitled 1975, Vintage silver print, 7-3/4 x 7-11/16 in. (198 x 196 mm), on original mount, signed, and dated., Mexican, 1938-2011. w3422.

Lazaro Blanco: Untitled 1975, Vintage silver print, 7-5/8 x 7-11/16 in. (194 x 196 mm), on original mount, signed, and dated., Mexican, 1938-2011.. paris?? w3421.

Lazaro Blanco: Untitled 1975-9, Vintage silver print, 7-1/2 x 7-1/2 in. (191 x 191 mm), on original mount, credit stamp on verso. w3520.

Lazaro Blanco: Untitled (Blind Man Walking) c. 1975, Vintage silver print, 9-5/8 x 9-3/4 in. (244 x 248 mm), unmounted., Illustrated: Luces Y Tiempos: Lazaro Blanco, page 18, 1987, Fondo de Cultura Económica, Mexico, Edicions Rio de Luz. w3711.

Lazaro Blanco: Untitled (bultos, tarps) 1975-80, Vintage silver print, 9-9/16 x 9-5/8 in. (244 x 246 mm), mounted, inkstamp on verso. w3475.

Lazaro Blanco: Untitled (concrete) 1975-80, Vintage silver print, 10-13/16 x 10-1/2 in. (275 x 268 mm), unmounted, stamped on verso. w3467.

Lazaro Blanco: Untitled (handprints) 1975-80, Vintage silver print, 10-9/16 x 10-9/16 in. (270 x 269 mm), unmounted, inkstamp on verso. w3473.

Lazaro Blanco: Untitled (musical instruments) 1975-80, Vintage silver print, 10-1/4 x 10-1/4 in. (262 x 262 mm), unmounted, stamped on verso. w3466.

Lazaro Blanco: Untitled (nets) 1975-80, Vintage silver print, 10-1/2 x 10-1/2 in. (268 x 268 mm), unmounted, stamped on verso. w3471.

Lazaro Blanco: Untitled (suspended sheet) 1975-80, Vintage silver print, inkstamp on verso, 10-13/16 x 10-9/16 in. (275 x 270 mm), unmounted. w3472.

Lazaro Blanco: Untitled (sweeper) 1975, Vintage silver print, 10-3/8 x 10-3/8 in. (265 x 265 mm), unmounted, signed in pencil verso. w3690.

Lazaro Blanco: Untitled (wall and reflections) 1975-80, Vintage silver print, 7-1/2 x 7-5/8 in. (192 x 194 mm), on original mount., Illustrated: Luces Y Tiempos: Lazaro Blanco, page 29, 1987, Fondo de Cultura Económica, Mexico, Edicions Rio de Luz. w3458.

Lazaro Blanco: Untitled (wheel barrow and sleeper) 1975-80, Vintage silver print, 7-1/2 x 7-5/8 in. (192 x 194 mm), on original mount., Illustrated: Luces Y Tiempos: Lazaro Blanco, page 17, 1987, Fondo de Cultura Económica, Mexico, Edicions Rio de Luz. w3457.

Lazaro Blanco: Untitled girl and mangled sign) 1975-80, Vintage silver print, 7-7/16 x 7-7/16 in. (190 x 190 mm), unmounted, stamped on verso. w3452.

Lazaro Blanco: Bolsas 1976-80, Vintage silver print, 7-5/8 x 7-3/4 in. (195 x 197 mm), on original mount,titled in pencil on verso. w3400.

Lazaro Blanco: Untitled 1976-80, Vintage silver print, 7-13/16 x 7-13/16 in. (200 x 199 mm), on original mount, stamped on verso., Illustrated: Luces Y Tiempos: Lazaro Blanco, page 30, 1987, Fondo de Cultura Económica, Mexico, Edicions Rio de Luz. w3414.

Lazaro Blanco: Untitled 1976-80, Vintage silver print, 7-15/16 x 7-3/4 in. (203 x 198 mm), on original mount, stamped on verso., Illustrated: Luces Y Tiempos: Lazaro Blanco, page 55, 1987, Fondo de Cultura Económica, Mexico, Edicions Rio de Luz. w3406.

Lazaro Blanco: Untitled 1976-9, Vintage silver print, 7-1/2 x 7-5/8 in. (192 x 194 mm), on original mount, stamped on verso., Illustrated: Luces Y Tiempos: Lazaro Blanco, page 12, 1987, Fondo de Cultura Económica, Mexico, Edicions Rio de Luz. w3393.

Lazaro Blanco: Untitled 1976-9, Vintage silver print, 7-7/8 x 7-3/4 in. (201 x 197 mm), on original mount, stamped on verso. w3396.

Lazaro Blanco: Untitled (girl in doorway) 1976, Vintage silver print, 7-5/8 x 7-5/8 in. (195 x 195 mm), on original mount, signed and dated. w3462.

Lazaro Blanco: Untitled (no grupo) 1976-80, Vintage silver print, 7-3/4 x 7-13/16 in. (198 x 200 mm), on original mount, "no grupo" in pencil on verso. w3404.

Lazaro Blanco: Curiosa 1977, Vintage silver print, 7-1/4 x 7-1/4 in. (184 x 184 mm), unmounted., Illustrated: Luces Y Tiempos: Lazaro Blanco, page 16, 1987, Fondo de Cultura Económica, Mexico, Edicions Rio de Luz. w3719.

Lazaro Blanco: Untitled 1977, Vintage silver print, 7-7/8 x 7-7/8 in. (201 x 201 mm), on original mount, signed and dated., Illustrated: Luces Y Tiempos: Lazaro Blanco, page 28, 1987, Fondo de Cultura Económica, Mexico, Edicions Rio de Luz. w3407.

Lazaro Blanco: Untitled 1977, Vintage silver print, 7-13/16 x 7-13/16 in. (200 x 199 mm), on original mount, signed and dated. w3397.

Lazaro Blanco: (Shadows and wall) 1978, Vintage silver print, 15-1/4 x 15-5/16 in. (389 x 390 mm), on original mount, signed and dated in pencil. w3677.

Lazaro Blanco: La Entrada 1978, Vintage silver print, 9-13/16 x 9-3/4 in. (250 x 248 mm), on original mount, signed, titled and dated. w3402.

Lazaro Blanco: Dart 1979, Vintage silver print, 7-13/16 x 7-3/4 in. (200 x 198 mm), on original mount, signed, titled and dated in pencil., Ma 8-1/2 x 8-1/4 h w3336.

Lazaro Blanco: Se vende esteta 1979, Vintage silver print, 7-3/4 x 7-3/4 in. (197 x 197 mm), on original mount, signed, titled and dated. w3712.

Lazaro Blanco: Tercera Avenida 1979, Vintage silver print, 7-7/8 x 7-3/4 in. (201 x 198 mm), on original mount, signed, titled and dated. w3687.

Lazaro Blanco: Untitled 1979, Vintage silver print, 7-13/16 x 7-3/4 in. (200 x 197 mm), on original mount, signed and dated. w3399.

Lazaro Blanco: Untitled (girl and wall) 1979, Vintage silver print, 10-5/16 x 10-5/16 in. (263 x 263 mm), unmounted, signed and dated in pencil (?). w3683.

Lazaro Blanco: Texmelucan 1980, Vintage silver print, 15-1/8 x 15-1/16 in. (385 x 384 mm), unmounted, stamped on verso. w3478.

Lazaro Blanco: Untitled (Angel Sculpture) 1980, Vintage silver print, 7-13/16 x 7-13/16 in. (200 x 200 mm), on original mount, signed and dated in pencil. w3364.

Lazaro Blanco: Untitled (gas cylinder in market) 1980, Vintage silver print, 7-7/8 x 7-3/4 in. (200 x 197 mm), on original mount, signed and dated. w3713.

Lazaro Blanco: Viento y sol, Apan Hidalgo 1984, Vintage silver print, 10-3/4 x 10-5/8 in. (274 x 271 mm), unmounted, signed titled & dated in pencil on verso. w3383.

Lazaro Blanco: Untitled (arrow) 1985, Vintage silver print, 7-5/8 x 7-1/2 in. (195 x 192 mm), unmounted, signed and dated verso. w3680.

Lola Alvarez Bravo: Nude ( Maudelle Bass) 1947 / 60's, Silver print, 9-3/16 x 7-1/8 in. (234 x 182 mm), unmounted., CCP has a number negatives of nudes in the LAB archive and also holds a print of Maudelle from 1947. Famous as a dancer and model, she posed for many other important artists, including Weston and Rivera. w5137.

Lola Alvarez Bravo: Discriminados, Pazcuaro, Michoacan c. 1958 / 1981, Silver print, 8-1/16 x 6-5/8 in. (205 x 169 mm), unmounted. w5178.

Louis François Saugrin: Study of Brother and Sister 1852, Quarter plate daguerreotypes, finely hand-colored, signed with stylus, 0 x 0 in. (0 x 0 mm), in original frames. N1198.

Manuel Alvarez Bravo: El pez grande se como a los chicos (The Big Fish Eats the Little Ones) 1932, Vintage silver print on matte paper, 9-1/2 x 7-1/2 in. (241 x 191 mm), on original signed mount. w3706.

Manuel Alvarez Bravo: Victima del salaria minima or (Obrero en huelga, asesinado) 1934, Vintage silver print, 10-1/4 x 13 in. (260 x 330 mm), on original mount, signed, titled and dated. w3708.

Manuel Alvarez Bravo: Nino Nadando (Boy Swimming) c. 1935, Vintage silver print, 7.5 x 9.5 in. (191 x 241 mm), on original signed mount. w3704.

Manuel Alvarez Bravo: Seniorita Juaré c. 1935, Vintage silver print, signed in ink print verso, 9-5/8 x 7-1/2 in. (244 x 191 mm), on original mount. w3705.

Manuel Alvarez Bravo: Ventana de radiographie (X-ray Window) 1940, Vintage silver print on matte paper, 9-1/8 x 7-1/8 in. (232 x 181 mm), on original signed mount. w3707.

Maria Garcia: Photogram 1968-73, Vintage silver print, 7-15/16 x 10 in. (202 x 255 mm), unmounted, signed in pencil verso., With inkstamp "Maria Garcia / Foto Press / Tel. 5-21-36-08 / Av. Morelos 58-2 Piso Mexico, D. F." and pencil signature on verso. w3101.

Maria Garcia: Untitled (nude with leaves) 1968-73, Vintage silver print, 10 x 7-15/16 in. (255 x 202 mm), unmounted, signed in pencil verso. w3095.

Maria Garcia: Marigrafia c. 1970, Vintage silver print, 7-5/8 x 9-3/8 in. (194 x 238 mm), unmounted, signed in pencil on recto. w3723.

Maria Garcia: Marigrafia c. 1970, Vintage silver print, 7-7/8 x 10 in. (200 x 254 mm), unmounted, signed in pencil on recto. w3722.

Mariana Yampolsky: Puesto de Estrellas 1977/l990's, Silver print, 11 x 10-1/4 in. (280 x 262 mm), unmounted, signed and titled on verso. w3234.

Maxime Du Camp: Ruines á Baalbeck, Syrie 1850, Salt print from waxed paper negative, 6-5/16 x 8-11/16 in. (162 x 222 mm), on original titled mount., Printed in Italy on Du Camp's return from Egypt. Not in the Blanquart Evrard edition; a variant is plate 119. Title and date in pencil on mount: "15 septembre 1850". q1362.

Maxime Du Camp: Thébes, Gournah, trone des colosses 1850, Blanquart-Evrard salt print from waxed paper negative, 8-13/16 x 6-11/16 in. (225 x 170 mm), on original lithographed mount., The inscriptions on the back of one of the Colossi at Gournah. w2140.

Maxime Du Camp: Gournah, Les Colosses 1851, Blanquart-Evrard salt print from waxed paper negative, 6-5/16 x 7-9/16 in. (162 x 193 mm), on original lithographed mount. o1173.

Maxime Du Camp: Karnak, Portique du Temple de Khons 1851, Blanquart-Evrard salt print from waxed paper negative, 8 x 6-1/2 in. (203 x 165 mm), on original lithographed mount., Plate 29 from "Egypt, Nubie, Palestine et Syrie". w5084.

Mikki Ferrill: Storefront Church, Chicago 1972, Vintage silver print, 7-1/2 x 5-3/8 in. (192 x 138 mm), unmounted., With ink credit stamp "Photo by Mikki Ferrill" and initialed with "Chgo. Il 1973" in pencil on verso.1937- w3065.

Mikki Ferrill: Soldier Boys, Bud Billiken Parade 1973, Vintage silver print, 7-15/16 x 5-1/8 in. (202 x 131 mm), unmounted, with embossed credit stamp on recto., With ink credit stamp and "A337/43" and pencil initials and date on verso. Subjects are part of a drill team marching in the annual Chicago Bud Billiken Parade, the largest African American parade in the country. w3062.

Rafael Doniz: "Desgranador", Edo Guerrero 1975, Vintage silver print, 0 x 7-3/8 in. (0 x 188 mm), unmounted, signed and titled in pencil verso., Title, signature and date in pencil on verso. w3107.

Rafael Doniz: El sueno, nina chamula, Chiapas 1975, Vintage silver print, 9 x 7 in. (229 x 178 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3127.

Rafael Doniz: Tejar, Edo Michoacan 1977, Vintage silver print, 7-1/8 x 9-1/8 in. (182 x 233 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3119.

Rafael Doniz: (Untitled) Edo. de Guerrero 1978, Vintage silver print, 7-1/8 x 9-1/8 in. (182 x 233 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3117.

Rafael Doniz: El Sueno del Perro 1979, Vintage silver print, 9-7/8 x 13-1/16 in. (251 x 332 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3130.

Rafael Doniz: En el Rincon de la Cocina 1979, Vintage silver print, 9-5/16 x 7-3/8 in. (238 x 188 mm), unmounted, signed and titled in pencil verso., Title, signature and date in pencil on verso. w3105.

Rafael Doniz: Jesus Maria, Sierra del Nayar 1979, Vintage silver print, 7-1/8 x 9-1/8 in. (182 x 233 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3116.

Rafael Doniz: La Mesa del Nayar 1979, Vintage silver print, 12-15/16 x 10 in. (330 x 255 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3123.

Rafael Doniz: La Mesa del Nayar. Nayarit. 1979, Vintage silver print, 12-5/16 x 10 in. (313 x 254 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3128.

Rafael Doniz: "Guajes y Cibollas", Zona Huasteca, San Luis Potosi 1980, Vintage silver print, 7-1/8 x 9-1/8 in. (182 x 233 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3114.

Rafael Doniz: "Offrenda", de la serie Nayari-Cora 1980, Vintage silver print, 10-1/8 x 13-1/8 in. (258 x 335 mm), unmounted, signed and titled in pencil verso., Signature, series name, title and date in pencil on verso. w3126.

Rafael Doniz: (Mitote at Night) De la serie Nayari-Cora 1980, Vintage silver print, 10-1/8 x 13-1/8 in. (258 x 335 mm), unmounted, signed and titled in pencil verso., The figure at bottom right is playing a one-string bow, the ceremonial instrument. w5142.

Rafael Doniz: (Mother and Child) de la serie Náyari-Cora 1980, Vintage silver print, 9 x 7 in. (230 x 178 mm), unmounted, signed in pencil verso. w3103.

Rafael Doniz: De la serie Nayari-Cora (Boy and Girl in Doorway) 1980, Vintage silver print, 13-1/16 x 9-7/8 in. (332 x 251 mm), unmounted, signed and titled in pencil verso., Signature, series name and date in pencil on verso. w3120.

Rafael Doniz: Edo. de Oaxaca 1980, Vintage silver print, 10-5/16 x 13-3/8 in. (262 x 340 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3122.

Rafael Doniz: Napalillo y Guaje Negro, Zona Huasteca, San Luis Potosi 1982, Vintage silver print, 7-1/8 x 9-1/8 in. (182 x 233 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3115.

Rafael Doniz: Red. Zona Huasteca San Luis Potosi 1982, Vintage silver print, 9-1/2 x 7-1/4 in. (243 x 185 mm), unmounted, signed in pencil verso., Title, signature and date in pencil on verso. w3104.

Rafael Doniz: "Borrado" (Erased), de la serie Nayari-Cora 1984, Vintage silver print, 9-5/16 x 7-3/8 in. (237 x 187 mm), unmounted, signed and titled in pencil verso., Title, signature and date in pencil on verso. w3108.

Rafael Doniz: "Hermann Estrella Menor", de la serie Nayari-Cora 1984, Vintage silver print, 9-5/16 x 7-3/8 in. (237 x 187 mm), unmounted, signed and titled in pencil verso., Title, signature and date in pencil on verso. w3109.

Rafael Doniz: De la serie Nayari-Cora 1984, Vintage silver print, 6-7/8 x 9 in. (176 x 230 mm), unmounted, signed and titled in pencil verso., Signature, series name and date in pencil on verso. w3112.

Rafael Doniz: De la serie Nayari-Cora (Boy's back) 1984, Vintage silver print, 13-1/16 x 9-7/8 in. (332 x 251 mm), unmounted, signed and titled in pencil verso., Signature, series name and date in pencil on verso. w3121.

Rafael Doniz: De la serie Nayari-Cora (Untitled, Boy with bird) 1984, Vintage silver print, 6-7/8 x 9 in. (176 x 230 mm), unmounted, signed and titled in pencil verso., Signature, series name and date in pencil on verso. w3113.

Rafael Doniz: Sierra de Nayar, de la serie Nayari-Cora 1984, Vintage silver print, 9-5/16 x 7-3/8 in. (238 x 188 mm), unmounted, signed and titled in pencil verso., Title, signature and date in pencil on verso. w3106.

Rafael Doniz: (Untitled, line of women watching) de la serie Nayari-Cora 1986, Vintage silver print, 6-7/8 x 9 in. (176 x 230 mm), unmounted, signed and titled in pencil verso., Signature, series name and date in pencil on verso. w3111.

Rafael Doniz: Las venaditas III, de la serie Nayari-Cora 1986, Vintage silver print, 10-1/8 x 13-1/8 in. (258 x 335 mm), unmounted, signed and titled in pencil verso., Signature, series name, title and date in pencil on verso. w3125.

Walker Evans: Interior, West Virginia coal miner's house 1935 / 70's, Silver print, artist's stamp on verso, 10 x 7-5/8 in. (255 x 194 mm), unmounted, with borders., Illustrated: American Photographs, 1938, and many other places. w2760.

Walker Evans: Washroom and Dining Area of Floyd Burroughs' Home 1936 / 70's, Silver print enlargement, artist's stamp on verso, 13-1/4 x 9-5/8 in. (337 x 245 mm), unmounted. w2759.

Walker Evans: Blind Street Musicians, Halstead Street, Chicago 1941, Silver print made by 1956, 4-5/8 x 6-7/8 in. (118 x 175 mm), on original mount trimmed to image., With artist's credit stamp and various MoMA stamps plus a "Diogenes with a Camera III, Jan 18-Mar 18 1956" label on reverse, with MoMA Study Collection label on later mount. (minor handling crimp upper center). w2494.

William H. Jackson: Tower of Babel, Garden of the Gods c. 1880, Albumen print from wet collodion negative, 9-5/8 x 8-5/8 in. (245 x 220 mm), on original album mount., With another print on reverse of mount "On the Road to the Garden of the Gods". w2393.

William Henry Fox Talbot: Detail of a Tower, Orleans Cathedral June 21, 1843, Salt print from paper negative, 6-7/16 x 8 in. (164 x 204 mm), unmounted, untrimmed. z1114.

William Henry Fox Talbot: Lock Katrine Pier, Scene of "The Lady of the Lake" 1844, Salt print from paper negative, 6-7/8 x 8-1/4 in. (175 x 210 mm), unmounted, untrimmed. z1150.

Yolanda Andrade: El jardin, Mexico City ca. 2005, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3273.

Yolanda Andrade: Cuadros 1978, Vintage silver print, 9 x 13-1/4 in. (229 x 337 mm), unmounted, signed dated and titled in pencil verso., $5,000 w2971.

Yolanda Andrade: Le Espera 1978, Vintage silver print, 6-1/4 x 9-1/4 in. (159 x 235 mm), unmounted, signed dated and titled in pencil verso., Illustrated: page 37, Andrade, Los Velos Transparentes, Las Transparencias Veladas, 1988, Gobierno del Estado de Tabasco. w2948.

Yolanda Andrade: El y Ellas 1981, Vintage silver print, 12-1/4 x 8-1/4 in. (311 x 210 mm), unmounted, signed dated and titled in pencil verso., Illustrated: page 31, Andrade, Los Velos Transparentes, Las Transparencias Veladas, 1988, Gobierno del Estado de Tabasco. w3155.

Yolanda Andrade: Ana Elsa Y Picaso 1982, Vintage silver print, signed, titled and dated on verso, 9 x 12 in. (229 x 305 mm), unmounted. w3146.

Yolanda Andrade: Benito Juarez y las leyes de Reforma, CDMX 1982, Vintage silver print, signed, titled and dated on verso, 8-15/16 x 13-3/8 in. (228 x 340 mm), unmounted. w3156.

Yolanda Andrade: Retrato de Una Amiga 1982, Vintage silver print, 12 x 7-3/4 in. (305 x 197 mm), unmounted, signed, dated and titled in pencil on verso., Illustrated: page 40, Andrade, Los Velos Transparentes, Las Transparencias Veladas, 1988, Gobierno del Estado de Tabasco. w3033.

Yolanda Andrade: Via Crucis en el Zocalo, CDMX 1982, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-9/16 in. (214 x 320 mm), unmounted. w3157.

Yolanda Andrade: Paisaje Urbano, CDMX 1985, Vintage silver print, signed, titled and dated on verso, 9 x 12 in. (229 x 305 mm), unmounted. w3149.

Yolanda Andrade: Sor Juana y La Muerte 1985, Vintage silver print, 8-3/8 x 12-1/2 in. (213 x 318 mm), unmounted, signed dated and titled in pencil verso., Illustrated: page 67, Andrade, Los Velos Transparentes, Las Transparencias Veladas, 1988, Gobierno del Estado de Tabasco. w2945.

Yolanda Andrade: Escenarios, CDMX 1986, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-5/8 in. (214 x 322 mm), unmounted. w3161.

Yolanda Andrade: La Television, CDMX 1986, Vintage silver print, signed, titled and dated on verso, 8-1/4 x 12-3/16 in. (210 x 310 mm), unmounted. w3151.

Yolanda Andrade: 2 de Octubre, CDMX 1988, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-5/8 in. (214 x 322 mm), unmounted. w3162.

Yolanda Andrade: El Misterio 1988, Vintage silver print, 12-1/2 x 8-1/4 in. (318 x 210 mm), unmounted, signed dated and titled in pencil verso., Illustrated: Andrade, Los Velos Transparentes, Las Transparencias Veladas, 1988, page 6, Gobierno del Estado de Tabasco. w2960.

Yolanda Andrade: La Nina de los Cristos, CDMX 1989, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-5/8 in. (214 x 321 mm), unmounted. w3153.

Yolanda Andrade: Como me ves te verás - As You See Me You Will See Yourself 1990, Vintage silver print, 12 x 18 in. (305 x 457 mm), unmounted, signed, dated and titled in pencil on verso., Illustrated: Yolanda Andrade, Pasion Mexicana / Mexican Passion, page 65, Conaculta-FONCA, 2002. w3221.

Yolanda Andrade: La Noticia, CDMX 1990, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-5/8 in. (214 x 321 mm), unmounted. w3158.

Yolanda Andrade: Las Muertes hilarantes - The Laughing Dead 1990, Vintage silver print, 8-3/8 x 12-1/2 in. (213 x 318 mm), unmounted, signed dated and titled in pencil verso., Illustrated: Yolanda Andrade, Pasion Mexicana / Mexican Passion, page 65, Conaculta-FONCA, 2002. w2944.

Yolanda Andrade: Las Alas Del Deseo / The Wings of Desire 1993, Vintage silver print, 11-3/4 x 8-1/8 in. (298 x 206 mm), unmounted, signed, dated and titled in pencil on verso. w3029.

Yolanda Andrade: Maromeros, CDMX 1993, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-1/2 in. (214 x 319 mm), unmounted. w3152.

Yolanda Andrade: Quinceanera, CDMX 1993, Vintage silver print, signed, titled and dated on verso, 12-1/2 x 8-3/8 in. (318 x 213 mm), unmounted. w3154.

Yolanda Andrade: Stiletto (AIDS Memorial) 1993, Vintage silver print, 17-3/4 x 11-7/8 in. (451 x 302 mm), unmounted, signed, dated and titled in pencil on verso., Further caption: (A street altar on the day of the Dead to remember a man who died of AIDS). Illustrated: Yolanda Andrade, Pasion Mexicana / Mexican Passion, page 65, Conaculta-FONCA, 2002. w3031.

Yolanda Andrade: El Brazo Protector, CDMX 1994, Vintage silver print, signed, titled and dated on verso, 9 x 12 in. (229 x 305 mm), unmounted. w3148.

Yolanda Andrade: Granaderos y Mujer, CDMX 1994, Vintage silver print, signed, titled and dated on verso, 8-7/16 x 12-5/8 in. (215 x 321 mm), unmounted. w3150.

Yolanda Andrade: Una limosna para estos actores, CDMX 1994, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-5/8 in. (214 x 322 mm), unmounted. w3163.

Yolanda Andrade: Al cruzar la calle, CDMX 1997, Vintage silver print, signed, titled and dated on verso, 5-15/16 x 8-7/8 in. (152 x 227 mm), unmounted. w3166.

Yolanda Andrade: Cristo Te Ama / Christ Loves You 1997, Vintage silver print, 6 x 9 in. (152 x 229 mm), unmounted, signed, dated and titled in pencil on verso., Confirm measure Illustrated: Yolanda Andrade, Pasion Mexicana / Mexican Passion, page 65, Conaculta-FONCA, 2002. w3027.

Yolanda Andrade: El Mar, Veracruz 2003, Vintage silver print, signed, titled and dated on verso, 6 x 9 in. (154 x 229 mm), unmounted. w3168.

Yolanda Andrade: El muro rosa, Tlacotalpan, Veracruz 2003, Vintage Lambda print, 8 x 10 in. (203 x 254 mm), unmounted. w3263.

Yolanda Andrade: La Bendicion, CDMX 2003, Vintage silver print, signed, titled and dated on verso, 8-7/16 x 12-5/8 in. (215 x 321 mm), unmounted. w3160.

Yolanda Andrade: El vaso rojo, Juchitan, Oaxaca 2004, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3267.

Yolanda Andrade: Pinturas sobre graffiti, Mexico City 2004, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3270.

Yolanda Andrade: Retratos de familia, Mexico City 2006, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3274.

Yolanda Andrade: Toluca, Mexico City 2007, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3271.

Yolanda Andrade: Domingo en Xochimilco, Mexico City 2009, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3269.

Yolanda Andrade (Color): Huellas, Mexico City 2006, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3277.