Selected Images by Giraudon's Artist

Giraudon's Artist: Female Peasant with Bundle of Twigs on Back late 1870's, Albumen print from wet collodion negative, 6-11/16 x 4-5/16 in. (170 x 110 mm), unmounted. t1051j.

Giraudon's Artist: Female Peasant with Pile of Straw late 1870's, Albumen print from wet collodion negative, 6-3/8 x 4-3/8 in. (163 x 112 mm), on original mount. t1076j.

Giraudon's Artist: Girl leaning on pile of straw, with scythe late 1870's, Albumen print from wet collodion negative, 6-5/8 x 4-3/8 in. (168 x 111 mm), unmounted. t1046j.

Giraudon's Artist: Peasant Woman Holding Small Animal late 1870's, Albumen print from wet collodion negative, 4-7/16 x 6-3/4 in. (114 x 172 mm), unmounted., 6 in negative. PF63079 t1034j.

Giraudon's Artist: Shepherdess Leaning Against a Tree, with Two Sheep late 1870's, Albumen print from wet collodion negative, 4-7/16 x 6-3/4 in. (114 x 172 mm), unmounted. t1015j.

Giraudon's Artist: Shepherdess Sleeping, with Two Sheep late 1870's, Albumen print from wet collodion negative, 4-3/8 x 6-11/16 in. (112 x 170 mm), unmounted., A.71. in negative. t1017j.

Giraudon's Artist: Shepherdess Under a Tree, with Two Sheep late 1870's, Albumen print from wet collodion negative, 4-3/8 x 6-11/16 in. (112 x 170 mm), unmounted. t1026j.

Giraudon's Artist: Two Shepherdesses Resting, with Two Sheep late 1870's, Albumen print from wet collodion negative, 4-7/16 x 6-1/2 in. (114 x 166 mm), unmounted. t1018j.

Giraudon's Artist: Two Women Eating late 1870's, Albumen print from wet collodion negative, 4-5/16 x 6-3/4 in. (110 x 172 mm), unmounted. t1002j.

Giraudon's Artist: Woman Standing with Basket and Branch late 1870's, Albumen print from wet collodion negative, 6-9/16 x 4-3/8 in. (168 x 112 mm), unmounted. t1007j.

Giraudon's Artist: Dog and Puppy in Barrel late 1870's, Albumen print from wet collodion negative, 4-1/4 x 6-11/16 in. (108 x 170 mm), unmounted. t1061j.

Giraudon's Artist: Female Peasant Leaning on Strawpile late 1870's, Albumen print from wet collodion negative, 6-9/16 x 4-3/8 in. (168 x 112 mm), unmounted. t1046j.

Giraudon's Artist: Two Women Standing with Baskets, with Dog late 1870's, Albumen print from wet collodion negative, 4-5/16 x 6-9/16 in. (110 x 168 mm), unmounted. t1005j.

Giraudon's Artist: Two Shepherdesses with Sheep 1870's, Albumen print from wet collodion negative, 4-3/8 x 6-5/8 in. (112 x 169 mm), unmounted. s1063j.

Giraudon's Artist: Two women resting on bundles 1870's, Albumen print from wet collodion negative, 6-5/8 x 4-7/8 in. (168 x 124 mm), unmounted. s1075j.

Adrien Tournachon (Nadar Jeune): Bretonne Cow, with Handler c. 1856, Coated salt print from wet collodion negative, 8 x 10-5/8 in. (204 x 271 mm), on original mount with title in ink in German., Probably made at the Exposition Agricole of1856. w1877.

Adrien Tournachon (Nadar Jeune): Vache Parthenaise, agée de 5 ans 1856, Gelatin-coated salt print (vernis-cuir) from wet collodion negative, 7-15/16 x 10-11/16 in. (203 x 272 mm), on original lithographed mount., First prize winner in her category at the Exposition Agricole de 1856. p1099j.

Antonio Reynoso: Untitled (Woman Walking) 1940's, Vintage silver print, 7-5/8 x 9-9/16 in. (195 x 244 mm), unmounted, artist's stamp on verso. w2825.

Antonio Reynoso: Descanso (Rest) 1941, Vintage silver print, 6 x 4-5/16 in. (154 x 110 mm), unmounted, with ink title, date, and artist's name and address on verso. w2616.

Antonio Reynoso: Una Tomba (Tomb) 1942, Vintage silver print, 4-7/8 x 7-1/16 in. (124 x 180 mm), unmounted, with artist's titles, date, signature and address in ink on verso. w2558.

Antonio Reynoso: La Ropa Limpia (Clean Clothes) 1945, Vintage silver print, 9-7/16 x 7-1/8 in. (240 x 182 mm), unmounted, with ink date, title in Spanish and English and artist's name and address on reverse., Inscriptions etc are by his wife, done at the time. w2820.

Antonio Reynoso: (Empty Street) 1960's, Silver print, 7-5/8 x 11-3/8 in. (195 x 290 mm), unmounted, signed, titled and dated illegibly on verso in pencil. w5134.

Antonio Reynoso: (Funeral Arrangement Walking) 1960's, vintage chromogenic print, 5-1/16 x 7-5/8 in. (130 x 195 mm), unmounted. w2821.

Antonio Reynoso: Woodgatherers, Hidalgo, Mexico 1973, Vintage silver print, 8-1/8 x 11-3/8 in. (208 x 290 mm), unmounted, signed and titled in ink recto. w3089.

Armando Salas Portugal: Templo de los Guerreros, Chichen Itza c.1953, Vintage hand-colored silver print, 12-9/16 x 10-5/8 in. (320 x 271 mm), On original mount. w3243.

Armando Salas Portugal: Fountain, Barragans' Jardines del Pedregal subdivision 1948, Vintage silver print, 10-9/16 x 13-1/2 in. (270 x 343 mm), unmounted, photographer's inkstamp and pencil inscriptions on reverse. w2785.

Armando Salas Portugal: Selva de Chiapas / Jungle of Chiapas c. 1949, Vintage hand-colored silver print, signed lower right, 19-5/8 x 14-15/16 in. (500 x 380 mm), on original mount, trimmed. w3326.

Armando Salas Portugal: (Bar in countryside) 1950's, Vintage silver print, 10-3/16 x 11-3/4 in. (260 x 300 mm), on original mount, trimmed to image. w3320.

Armando Salas Portugal: (Jungle Trees) 1950's, Vintage hand-colored silver print, signed lower right, 19-7/16 x 13-11/16 in. (495 x 348 mm), on original mount, trimmed. w3323.

Armando Salas Portugal: (Landscape in fog) 1950's, Vintage hand-colored silver print, 11-1/16 x 10-7/16 in. (282 x 266 mm), on original mount. w3245.

Armando Salas Portugal: (Landscape with Two Trees) 1950's, Vintage hand-colored silver print, 10-7/16 x 13-3/8 in. (266 x 340 mm), on original mount, trimmed. w3321.

Armando Salas Portugal: Palenque in fog c. 1950, Vintage silver print with applied color, 19-1/16 x 15-11/16 in. (485 x 400 mm), unmounted. w3190.

Armando Salas Portugal: Selvas de Yaxchilan 1950's, Vintage hand-colored silver print, signed lower right, 15-3/8 x 19-1/4 in. (392 x 490 mm), on original mount, trimmed. w3322.

Armando Salas Portugal: La Serpiente de El Eco (Mathias Goeritz) c. 1953, Vintage silver print, 10-9/16 x 13-1/2 in. (269 x 344 mm), unmounted, artist's inkstamp on verso. w3203.

Armando Salas Portugal: La Selva - The Jungle 1959, Vintage hand-colored silver print, signed lower right, 19 x 15-3/8 in. (484 x 392 mm), on original mount, trimmed. w3324.

Armando Salas Portugal: Foto Pensamiento 1967-72, Vintage silver print, 8-3/8 x 6-11/16 in. (214 x 170 mm), unmounted. w2743.

Armando Salas Portugal: Foto Pensamiento 1967-72, Vintage silver print, 8-3/8 x 6-11/16 in. (214 x 170 mm), unmounted. w2742.

Armando Salas Portugal: Foto Pensamiento 1967-72, Vintage print on Kodak paper, 9-3/4 x 7-3/4 in. (248 x 197 mm), unmounted. w2962.

Armando Salas Portugal: Baja California, Mexico c. 1968, Vintage silver print, hand-colored, 20 x 24 in. (508 x 610 mm), on original mount. w3005.

Auguste Salzmann: Porte de David, Jerusalem , Blanquart-Evrard salt print from waxed paper negative, 12-7/8 x 9-1/8 in. (328 x 232 mm), on original lithographed mount. z1038.

Auguste Salzmann: Jerusalem, Ornements Arabes 1854, Blanquart-Evrard salt print from waxed paper negative, 9-1/4 x 13 in. (235 x 330 mm), on original lithographed mount. J1020.

Auguste Salzmann: Jerusalem: Enceinte du Temple, Arche du pont salomonian qui reliait Moria a Sion 1854, Blanquart-Evrard salt print from waxed paper negative, 9-1/16 x 12-15/16 in. (231 x 330 mm), on original lithographed mount. t1143.

Auguste Salzmann: Jerusalem: Fontaine de Couvent Grec 1854, Blanquart-Evrard salt print from waxed paper negative, 9-1/4 x 12-5/8 in. (235 x 321 mm), on original lithographed mount., Cistern at the Greek Convent. Illustrated: 19th Century French Photographs From the National Gallery of Canada, Borcoman, 2010, plate 56. w5025.

Auguste Salzmann: Jerusalem: Sarcophage Judaiques 1854, Blanquart-Evrard salt print from waxed paper negative, 9-3/16 x 12-15/16 in. (234 x 330 mm), on original lithographed mount. t1144j.

Auguste Salzmann: Jerusalem, Tombeau du Rois de Juda: Couvercle d'un sarcophage et fragment d'une porte en pierre. 1854, Blanquart-Evrard salt print from waxed paper negative, 9-1/4 x 13-1/4 in. (235 x 337 mm), on original lithographed mount. t1119j.

Auguste Salzmann: Jerusalem, Tombeau du Rois de Juda: Fragments d'un sarcophage 1854, Blanquart-Evrard salt print from waxed paper negative, 9-1/4 x 13-1/4 in. (236 x 337 mm), on original lithographed mount. t1118j.

Auguste Salzmann: Jerusalem, Vallee de Josaphat: Fronton du Tombeau de Josaphat 1854, Blanquart-Evrard salt print from waxed paper negative, 9-1/8 x 12-7/8 in. (233 x 328 mm), on original lithographed mount., Plate from Jerusalem, époques judaïque, romaine, chrétienne, arabe, explorations photographiques. t1117j.

Auguste Salzmann: Jerusalem: Escalier Arabe de Sainte-Marie La Grande 1854, Blanquart-Evrard salt print from waxed paper negative, on original lithographed mount. z1040.

Bernice Kolko: Vendedor de frutas, Alvarado, Veracruz c.1960, Vintage silver print, 13-15/16 x 11 in. (355 x 280 mm), on original mount, signed and titled in pencil on verso., Illustrated: Rostros de Mexico, Fotografias de Bernice Kolko, Castellanos, UNAM, 1966, plate 29. w2716.

Bernice Kolko: Pastoras / Shepherds, Chamulas, Chiapas 1952, Vintage silver print, 12-7/8 x 10-1/4 in. (328 x 262 mm), on original mount, titled and signed in pencil., Illustrated: Rostros de Mexico, Fotografias de Bernice Kolko, Castellanos, UNAM, 1966, plate 2. w2718.

Bernice Kolko: Timida / Shy, Cosoleacaque, Veracruz 1953, Vintage silver exhibition print, artist's inkstamps on verso, 12-7/8 x 10-1/4 in. (328 x 262 mm), on original mount., Illustrated as Cover of "Bernice Kolko Fotografa", Zuniga and Rodriguez, Ediciones del Equilibrista, Mexico, 1996, n.p. Pencil title "Veracruz, The Nude" and No. 2 in pencil on verso.1904-1970. w2695.

Bernice Kolko: Mujer cargando canasta / Woman carrying basket, Juchitan, Oaxaca 1954, Vintage silver print, initialed BK in pencil on verso, 13-3/8 x 10-3/8 in. (340 x 265 mm), unmounted., Illustrated "Bernice Kolko Fotografa", Zuniga and Rodriguez, Ediciones del Equilibrista, Mexico, 1996, n.p. w2717.

Bernice Kolko: Alfabetizacion, Ciudad de Mexico 1955, Vintage ferrotyped silver print, 9-3/4 x 7-5/8 in. (248 x 194 mm), unmounted., Illustrated: "Bernice Kolko Fotografa", Zuniga and Rodriguez, Ediciones del Equilibrista, Mexico, 1996, n.p. Titled in ink with cropping indications and typed title label, various numbers including 53, 39, 17, and 53 /1013 on reverse. w2713.

Bernice Kolko: Diego Rivera in his Studio 1955, Vintage silver exhibition print, 19-7/8 x 16 in. (505 x 406 mm), on original mount trimmed to image., Titled in ink "Maestro Diego Rivera Pintor Muralista Ciudad" in ink and "PARIS" and 28 in pencil on verso. Variant illustrated "Bernice Kolko Fotografa", Zuniga and Rodriguez, Ediciones del Equilibrista, Mexico, 1996, n.p. Illustrated: "Rostros de Mexico", Fotografias de Bernice Kolko, Castellanos, UNAM, 1966, plate 137. w2693.

Bernice Kolko: Los Peregrinos / Pilgrimage, Ixtapalapa 1958, Vintage silver exhibition print, titled and signed in pencil on mount recto, 11 x 13-1/2 in. (280 x 343 mm), on original mount., Illustrated "Bernice Kolko Fotografa", Zuniga and Rodriguez, Ediciones del Equilibrista, Mexico, 1996, n.p. Pencil title "Pilgrimage" and signature in pencil on verso. 1904-1970. w2696.

Bernice Kolko: Cosolaque, Veracruz c. 1960, Vintage silver print, 13-3/8 x 8-5/8 in. (340 x 220 mm), on original mount, signed in pencil., Illustrated: Rostros de Mexico, Fotografias de Bernice Kolko, Castellanos, UNAM, 1966, page 8. w2719.

Bernice Kolko: Madre e hija con sus mejoes ropas / Mother and daughter in their best clothes, Janitzio, Michoacan c. 1960 ?, Vintage silver print, 19-3/8 x 15-5/8 in. (493 x 398 mm), on original mount, titled in ink on verso., Illustrated "Bernice Kolko Fotografa", Zuniga and Rodriguez, Ediciones del Equilibrista, Mexico, 1996, n.p. w2721.

Bernice Kolko: Surcos y arrugas / grooves and wrinkles, Ciudad de Mexico c. 1960 ?, Vintage silver print, 19-3/8 x 15-5/8 in. (493 x 398 mm), on original mount, titled and signed in ink on verso., Illustrated: Rostros de Mexico, Fotografias de Bernice Kolko, Castellanos, UNAM, 1966, plate 99. w2722.

Bernice Kolko: Two men watching c. 1960, Vintage silver print, 8-1/8 x 7-1/2 in. (208 x 191 mm), unmounted, unsigned. w2720.

Beuford Smith: Boys Playing in Doorway, Brooklyn 1968, Vintage silver print, 7-3/8 x 4-1/2 in. (188 x 115 mm), unmounted, signed and titled in pencil verso., With pencil title, date, and ink credit stamp on verso. w3057.

Beuford Smith: From the Church Series 1970, Vintage silver print, 9-7/16 x 6-3/4 in. (240 x 173 mm), unmounted, signed and titled in pencil verso., With pencil title, date, and ink credit stamp on verso. w3056.

Beuford Smith: Lower East Side, NYC 1972, Vintage silver print, 9-1/4 x 7-3/8 in. (235 x 188 mm), unmounted, signed and titled in pencil verso., With pencil title, date, and ink credit stamp on verso, and unidentified ink inscription "Slums". w3059.

Brassai: Le Viaduc d'Auteuil 1932, Vintage silver print, 9-1/4 x 6-13/16 in. (236 x 174 mm), unmounted., Provenance: estate of Albert Skira, publisher of the surrealist journals Minotaure and Labyrinthe. Illustrated: Minotaure, no. 7, p. 30., and K. Ziebinska-Lewandowska, Graffiti Brassai Le Langage du Mur, Editions du Centre Pompidou/ Editions Xavier Barral, Paris 2016, p. 17. Nothing on reverse. w2675.

Brassai: La Mariée (The Bride, a character created by Jean Cocteau) c. 1945, Vintage silver print, 10-15/16 x 9-5/16 in. (278 x 237 mm), unmounted, with artists address stamp "81, rue du Faubourg St. Jacques" on reverse., Titled and annotated on reverse in pencil. Provenance: estate of Albert Skira, publisher of the surrealist journals Minotaure and Labyrinthe. Illustrated: Labyrinthe, no. 8, 'Les Poupées lucides', 15 Mai 1945, p. 5. w2674.

Brassai: Le Surrealisme á l'Exposition de la Mode c. 1945, Vintage silver print, 7 x 9-1/4 in. (178 x 236 mm), unmounted, with artists address stamp "81, rue du Faubourg St. Jacques" on reverse., Titled and annotated on reverse in pencil. Provenance: estate of Albert Skira, publisher of the surrealist journals Minotaure and Labyrinthe. Illustrated: Labyrinthe, no. 8, 'Les Poupées lucides', 15 Mai 1945, p. 4-13. z1151.

Captain Linnaeus Tripe: No. 114. Rangoon. The Votive Tree 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 13-1/16 x 10-1/16 in. (332 x 256 mm), on original mount with printed title., A votive tree festooned with prayer pennants at Rangoon in Burma. Tripe wrote of this image probably taken in the precincts of the Shwe Dagon Pagoda, 'Offerings of muslin are suspended from this in honor of Gautama; some even have prayers written on them in the idea that every breeze would waft their petitions to Gautama'. w2114.

Captain Linnaeus Tripe: No. 118. Rangoon. Natural Bridge 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 9-7/8 x 13-1/16 in. (252 x 333 mm), on original mount with printed title. w2118.

Captain Linnaeus Tripe: No. 22. Pugahm Myo [Pagan]. Flat Arch in Damayangyee Pagoda. [Dhamma-yan-gyi] 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 10-9/16 x 13-3/8 in. (270 x 341 mm), on original mount with printed title., An arch of the Dhamma-yan-gyi temple in the Pagan (Bagan) region of Burma. Capital of the first kingdom of Burma from the 11th to the 14th century, Pagan is one of the most important archaeological sites in South East Asia, with the remains of over 2000 stupas, temples and monasteries scattered over a 30 km radius. Noted for its fine brickwork, the powerful shape of this massive temple is one of the most enigmatic in Pagan. w2022.

Captain Linnaeus Tripe: No. 35. Tsaing Myo [Sagaing]. Kowa-doung Pagoda 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 9-7/8 x 13-1/4 in. (252 x 338 mm), on original mount with printed title., Pagodas, with the Irrawaddy (Ayeyarwady) visible in the background at Sagaing in Burma (Myanmar), The photographer wrote, 'The terrace, on which this stands, is one of three covered with Pagodas and Kyoungs. On the opposite of the Irrawadi is Ava; the river at this point is about 1100 yards broad'. w2035.

Captain Linnaeus Tripe: No. 37. Ava. Tower of the Palace 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 10-7/16 x 13-1/4 in. (266 x 337 mm), on original mount with printed title., A watchtower at Ava (Inwa) in Burma. Much of Ava including the 19th century palace of King Bagyidaw at its centre was destroyed in a disastrous earthquake in 1838. The Nanmyin is all that remains of the palace although the upper part of this 30 m high masonry tower was destroyed. The lower part leans to one side, earning it the nickname of 'the leaning tower of Ava'. w2037.

Captain Linnaeus Tripe: No. 46 Amerapoora. Colossal Statue of Gautama close to the N. end of the (wooden) bridge 1855, Lightly coated salt print from waxed paper negative, 9-15/16 x 13-1/2 in. (253 x 344 mm), on original mount., This print loaned to NGA/Met Tripe exhibition and is plate 18 in Captain Linnaeus Tripe Photographer of India and Burma, 1852-1860, National Gallery of Art, 2014. z1113.

Captain Linnaeus Tripe: No. 51. Amerapoora. Sekia Pagoda 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 9-13/16 x 13-9/16 in. (250 x 345 mm), on original mount with printed title., Tripe wrote of this temple, 'This is the resort of Astrologers, (Brahmins, natives of India, or Manipore) who sit on the ground under the spacious colonnades of the Pagoda with mysterious looking scrolls and diagrams before them, quite ready to reward liberality after their own fashion'. w2051.

Captain Linnaeus Tripe: No. 52. Amerapoora. Mosque 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 13-1/2 x 10-11/16 in. (343 x 273 mm), on original mount with printed title., A view looking towards the ornately embellished minaret of a mosque at Amarapura in Burma. Tripe wrote of this mosque,'This is in China Street. There are some thousands of Mahomedans and numbers of Mosques in and about Amerapoora. The architecture of the latter partakes much of the Burmese element'. w2052.

Captain Linnaeus Tripe: No. 53. Amerapoora. Nagayoung Pagoda. [Naga-yon temple] 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 12-11/16 x 10-3/8 in. (323 x 265 mm), on original mount with printed title., The Nagayon temple at Amarapura in Burma (Myanmar). Tripe wrote of this temple, 'This symbolises a legend in the history of Gautama, when he was sheltered by a dragon in its folds'. The large 'naga' or serpent, which gives the unusual early 19th century Nagayon its name, looms protectively up over the shrine which shelters the main image of the Buddha. w2053.

Captain Linnaeus Tripe: No. 54. Amerapoora. Bodan Pagoda 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 9-15/16 x 13-11/16 in. (253 x 348 mm), on original mount with printed title., The Patodawgyi temple at Amarapura in Burma. One of the best-known pagodas of the city is the Patodawgyi, sited just outside the old city wall to the south. It was built by King Bagyidaw in 1820, shortly before he shifted the capital back to Ava. w2054.

Captain Linnaeus Tripe: No. 56. Amerapoora. View on the Lake 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 8-3/4 x 13-11/16 in. (224 x 348 mm), on original mount with printed title., A general view looking across Taungthaman Lake to the city of Amarapura in Burma\ Amarapura was designed upon a square mandala, or diagram illustrating cosmological ideas. Each of the twelve city gates, three along each wall, was surmounted by a Burmese style pavilion known as a pyat-that. w2056.

Captain Linnaeus Tripe: No. 71. Amerapoora. A street leading to the Palace 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 10 x 13-5/8 in. (254 x 347 mm), on original mount with printed title., Tripe wrote of this view looking along a street lined with single-storied thatched houses towards the pyat-that or tiered platform of the palace in the distance, 'The Ooh-nein gate leads into this street. The Palace is the centre of the city, and the streets leading from the central gate of each face converge on it'. w2071.

Captain Linnaeus Tripe: No. 89. Amerapoora. A doorway of Kyoung No. 86 [Maha-too-lo-Bounghian Kyoung] 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 13-7/16 x 10 in. (342 x 255 mm), on original mount with printed title., Taken at Amarapura in Burma, with a view of the richly-carved doorway of a kyaung (monastery). Tripe wrote of this monastery, 'The door itself is scarcely more than five and a half feet high'. w2089.

Captain Linnaeus Tripe: No. 9. Ye-nan-gyoung [Yenangyaung]. Balcony of a Kyoung 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 10-1/8 x 13-1/16 in. (258 x 333 mm), on original mount with printed title., Tripe declared the wood-carving on the balcony of the monastery, 'Quite Burmese in its grotesqueness'. Yenangyaung is a town in west-central Myanmar on the Ayeyarwady (Irrawaddy), long the centre of the most productive oil-fields in the country. w2009.

Captain Linnaeus Tripe: No. 90. Amerapoora. Front of the West part of Kyoung No. 86 [Maha-too-lo-Bounghian Kyoung] 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 13-9/16 x 10-11/16 in. (346 x 273 mm), on original mount with printed title., The splendid carved-wood facade of a kyaung (monastery) at Amarapura in Burma (Myanmar). w2090.

Captain Linnaeus Tripe: No. 91. Amerapoora. Balcony of Kyoung No. 86 [Maha-too-lo-Bounghian Kyoung] 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 10-1/2 x 13-5/8 in. (268 x 347 mm), on original mount with printed title., The balcony of a kyaung (monastery) at Amarapura in Burma. Wood-carving is a living tradition in Burma, wood-carvers are supremely skilled in translating motifs from a treasury of legends and floral patterns into different types of woods. w2091.

Captain Linnaeus Tripe: No. 99. Mengoon. Small bell in front of Pagoda 1855, Lightly albumenized salt print from waxed paper negative, signed in ink, 10-3/16 x 13-5/8 in. (259 x 347 mm), on original mount with printed title., A view of a bell in front of the Mingun Pagoda, at Burma. w2099.

Captain Linnaeus Tripe: View of the Country Looking N.N.W. from the Top of the Ryakotta Hill 1858, Albumenized salt print from waxed paper negative, 10-1/4 x 14 in. (260 x 356 mm), on original mount., Plate from "Photographic Views of Ryakotta and Other Places in the Salem District." Provenance: ex-collection of the eighth Earl of Elgin. December 1857-January 1858. This print illustrated: Taylor, Impressed by Light, NGA, Metropolitan, and Yale, 2007, plate 114. September-October 1855. Also, plate 35 in Captain Linnaeus Tripe: Photographer of India and Burma, 1852-1860, National Gallery of Art, Metropolitan Museum of Art, 2014. N1149.

Carleton Watkins: The Devil's Canon, Geysers c. 1868, Mammoth albumen print from wet collodion negative, 16.5 x 21.5 in. (419 x 546 mm), on original mount with calligraphic title. w1468.

Charles Marville: Cathedrale de Chartres, Grandes figures du porche royal c. 1852, Blanquart-Evrard salt print from waxed paper negative, 11-7/8 x 9-1/4 in. (302 x 235 mm), on original mount with another image's lithographed title on recto., Illustrated: Full page #69, Blanquart-Evrard et les Origines de L'Edition Photographique Française, Jammes, Paris 1981. w5111.

Charles Marville: Figures du grand portail de la Cathédrale de Strasbourg (les vertus terrassant les vices) 1852, Blanquart-Evrard salt print from waxed paper negative, 12-3/4 x 9-1/2 in. (324 x 241 mm), on original mount., A famous sculptural group "Virtues Vanquishing the Vices". w2256.

Charles Marville: Bois de Boulogne, Waterfall 1858-60, Albumen print from wet collodion negative, 9-3/4 x 13-9/16 in. (248 x 346 mm), on original mount. w2312.

Charles Marville: Candélabre du pont de la Concorde, PF73870 1865-69, Albumen print from wet collodion negative, 14-1/4 x 9-3/4 in. (362 x 248 mm), on original mount with artist's Musee Imperial du Louvre blindstamp and printed label. u1153j.

Charles Marville: Candélabre Console 1865-69, Albumen print from wet collodion negative, 13-11/16 x 10-3/8 in. (348 x 265 mm), on original mount with artist's Musee Imperial du Louvre blindstamp and printed label. u1105j.

Charles Marville: Gare de l'Ouest (Montparnasse) 1865-69, Albumen print from wet collodion negative, 14 x 9 in. (357 x 230 mm), on original mount with artist's Musee Imperial du Louvre blindstamp and printed label. u1150j.

Charles Marville: Opéra (Lampadaire) 1865-69, Albumen print from wet collodion negative, 14-1/8 x 10-3/8 in. (360 x 264 mm), on original mount with artist's Musee Imperial du Louvre blindstamp and printed label. u1179j.

Charles Marville: Opéra Candélabre á 7 lumieres avec globe 1865-69, Albumen print from wet collodion negative, 13-13/16 x 9-3/4 in. (352 x 248 mm), on original mount with artist's Musee Imperial du Louvre blindstamp and printed label. u1176j.

Charles Negre: Profile of the Doorway, St. Trophime, Arles 1852/3, Salt print from a waxed paper negative, 5-5/8 x 6-5/8 in. (143 x 168 mm), on original mount. w1603.

Clarence John Laughlin: The Iron Flower 1949, Vintage ferrotyped silver print, 13-1/4 x 10-3/4 in. (337 x 273 mm), on original mount, signed, titled and dated in white pencil., With copyright stamp on reverse with initials and printing notations and "vintage print U-60" in ink in artist's hand on adhered linen tape. Illustrated: Clarence John Laughlin: The Personal Eye, Williams, Philadelphia Museum of Art / Aperture, 1973, page 93. The interior of old New Orleans City Hall. w2732.

Clarence John Laughlin: A Vision of Dead Desire 1954 / 1979, Silver print, 13-1/2 x 9-1/2 in. (343 x 241 mm), on original mount, signed, titled and dated in white ink., Dated, initialed, annotated in ink and copyright credit reproduction limitation stamp on a label on reverse of mount. Illustrated: Aperture, Clarence John Laughlin, 1974, cover, p. 115, and Davis, Clarence John Laughlin: Visionary Photographer, 1990, pl. 88. w2745.

D.O. Hill & Robert Adamson: David Dickson, Free Church Elder 1843-7, Salt print from calotype negative, 5-11/16 x 4-1/2 in. (145 x 115 mm), on original mount., Provenance: Estate of Heinrich Schwarz. RSA stamp on reverse of print. Mounted at top corners. Watermark on mount. q1014j.

D.O. Hill & Robert Adamson: St. Andrews 1843-7, Salt print from calotypenegative, 5-1/2 x 7-13/16 in. (140 x 200 mm), on original mount, titled by Hill. q1068j.

Edward Weston: Caballito de Cuarenta Centavos 1924, Vintage silver print, 7-3/8 x 9-1/8 in. (187 x 232 mm), unmounted. w2666.

Edward Weston: (Two Aztec Chairs) 1926, Vintage silver print, 7-1/2 x 9-1/2 in. (191 x 241 mm), unmounted. w2665.

Edward Weston: Mi Prieta (pulqueria mural) 1926, Vintage silver print, 7-1/2 x 9-1/2 in. (191 x 241 mm), unmounted. w2668.

Edward Weston: Glass and Lily 1939, Vintage silver print, 7-5/8 x 9-9/16 in. (194 x 244 mm), on original signed and dated mount., Illustrated: Conger, fig. 1497; Armitage, Fifty Photographs, pl. 24 Maddow, p. 242; Heiting, Edward Weston, p. 185; Bunnell, Edward Weston: On Photography, pl. 1; Bunnell & Featherstone, EW:100 Centennial Essays in Honor of Edward Weston, p. 116. Exhibited: New York MoMA, Edward Weston: Photographs, 11 February- 31 March 1946 and other institutions. z1071.

Eugene Atget: St. Cloud (Stairway and Vase) 1922, Vintage arrowroot print, 7 x 9-3/16 in. (178 x 234 mm), unmounted., Ex-MoMA, deaccessioned in the mid 1970's. "compared to the more objective, declarative explanatory character of his earlier work, Atget's postwar pictures are overtly subjective, idiosyncratic, lyrical, and suggestive. They are less concerned with facts than with life." Maria Morris Hambourg, Volume II: The Art of Old Paris, page 30. w1575.

Eugene Atget: St. Cloud, fin Aout, 6/12 h. 1924, Vintage arrowroot print, 7-1/16 x 8-13/16 in. (180 x 225 mm), unmounted., "Rue Campagne-Premiere, 17 bis" black instamp and titled and numbered 1252 by the artist on reverse."MOMA dupe 2002" in another hand on verso. Illustrated: Szarkowski and Hambourg, "The Work of Atget: The Ancien Regime", plate 63, MoMA, 1983. In Volume II The Art of Old Paris, page 30, Maria Morris Hambourg writes "compared to the more objective, declarative explanatory character of his earlier work, Atget's postwar pictures are overtly subjective, idiosyncratic, lyrical, and suggestive. They are less concerned with facts than with life." z6006.

Felix Teynard: Thebes: Gournah, Trone des Colosses , Salt print from waxed paper negative, 9-1/2 x 12 in. (243 x 305 mm), on original mount., Inscription in pencil on mount in period hand. Likely a print made before the Fonteny edition. w1400.

Felix Teynard: General View of the Ruins, Kom-Ombo 1851-2, Fonteny salt print from waxed paper negative, 9-1/4 x 11-3/4 in. (235 x 300 mm), unmounted., Illus. as pl. 79 in Felix Teynard: Calotypes of Egypt. I1038.

Felix Teynard: Karnak (Thebes) Palais, Salle Hypostyle, Decoration 1851-2, Fonteny salt print from waxed paper negative, 12 x 9-3/4 in. (306 x 249 mm), on original lithographed mount. w2222.

Frank Chauvassaignes: Orchid on a Stand c. 1856, Albumen print from wet collodion negative, 3-7/8 x 5-11/16 in. (100 x 145 mm), unmounted, ink notation of genus on reverse in period hand., Cyp. carbatum (?) v. grandiflorum w1891.

Frank Chauvassaignes: Rural village houses in landscape c. 1856, Salt print from waxed paper negative, 6-1/8 x 6-7/8 in. (156 x 176 mm), on original mount. N1346.

Frank Chauvassaignes: Forest Landscape c. 1856, Waxed salt print from waxed paper negative, 8-1/2 x 6-1/2 in. (216 x 165 mm), on original mount. N1105j.

Gloria Frausto: La Duiesion (The Owner) 1981, Vintage silver print, 6-1/8 x 9-1/4 in. (156 x 236 mm), on original mount, signed, titled and dated in pencil. w3251.

Gloria Frausto: Los de Polanco 1981, Vintage silver print, 6-1/8 x 9-3/8 in. (156 x 239 mm), on original mount, signed, titled and dated in pencil. w3250.

Gloria Frausto: Untitled (Car and painting) 1981, Vintage silver print, 6-7/16 x 9-9/16 in. (165 x 244 mm), on original signed mount. w3290.

Gloria Frausto: Untitled (Mermaid) 1981, Vintage silver print, 7-1/4 x 8-1/4 in. (185 x 210 mm), on original signed mount. w3292.

Gloria Frausto: La Huelga (the Strike) 1982, Vintage silver print, 9-3/16 x 6-1/4 in. (234 x 160 mm), on original mount, signed, titled and dated in pencil. w3252.

Gloria Frausto: Untitled (barrels and stands) 1982, Vintage silver print, 6 x 9-1/4 in. (154 x 236 mm), on original mount, signed and dated in pencil., In original tan overmat. w3247.

Gloria Frausto: Untitled (Boy leaning) 1982, Vintage silver print, 9-3/8 x 6-1/4 in. (239 x 160 mm), on original signed mount. w3291.

Gloria Frausto: Untitled (young man and fabrics) 1982, Vintage silver print, 6-5/16 x 9-1/2 in. (162 x 242 mm), on original mount, signed and dated in pencil., In original tan overmat. w3248.

Gloria Frausto: Untitled (doorway) 1983, Vintage silver print, 9-3/8 x 6-3/8 in. (239 x 163 mm), on original mount, signed and dated in pencil., In original tan overmat. w3246.

Gloria Frausto: Untitled (interior with child and dog) 1983, Vintage silver print, 8-1/4 x 6-13/16 in. (210 x 174 mm), on original mount, signed and dated in pencil., In original tan overmat. w3249.

Gloria Frausto: Body Parts 1985, Vintage silver print, 13-3/4 x 9-1/4 in. (351 x 236 mm), on original mount, signed, titled and dated in pencil. w3254.

Gloria Frausto: (Movement multiple exposure) c. 1986, Vintage silver print, 12-3/8 x 9-3/4 in. (315 x 248 mm), on original signed mount. w3286.

Gloria Frausto: (Movement multiple exposure) c. 1986, Vintage silver print, 13-5/8 x 8-1/4 in. (347 x 210 mm), on original signed mount. w3287.

Gloria Frausto: (Movement multiple exposure) c. 1986, Vintage silver print, 13-7/8 x 9-5/8 in. (353 x 245 mm), on original signed mount. w3288.

Gloria Frausto: La Revolucion 1986, Vintage silver print, 6-1/8 x 9-1/4 in. (156 x 236 mm), on original mount, signed and dated in pencil. w3253.

John Stewart: Entrée du Vallé d'Ossau 1852, Blanquart-Evrard salt print from waxed paper negative, 8-3/4 x 12-1/4 in. (222 x 311 mm), on original mount. w2255.

John Stewart: Chateau de Pau 1853, Blanquart-Evrard salt print from waxed paper negative, 8-1/16 x 11-1/8 in. (205 x 284 mm), on original mount., Plate from "Souvenirs de Pyrénées". w2386.

Kati Horna: Subida a la Catedral, Barcelona (Ascending to the Cathedral) 1938 / 1960's, Vintage silver print, 0 x 0 in. (0 x 0 mm), unmounted, signed and stamped verso. w3135.

Kati Horna: Carnaval de Huejotzingo, Puebla 1941/later, Silver print, late 1960's (?), 7-7/8 x 9-7/8 in. (201 x 252 mm), unmounted, signed in pencil and inkstamp on verso. w3257.

Kati Horna: Asylum Patient, La Castaneda, Mixcoac CDMX (Dancing Deaf-Mute Man) 1944, Silver print, 1960's, 7-7/8 x 9-7/8 in. (201 x 252 mm), unmounted, signed in pencil and inkstamp on verso., Illustrated: Kati Horna, 2013, Jeu de Paume and Museo Amparo, page 141. Titled in pencil in unknown hand: "No 21 Insane Dancing 1940 Sordomudo " w3256.

Kati Horna: Museo de Cera, Mexico City 1950, Vintage silver print, 8-15/16 x 8-1/4 in. (228 x 210 mm), unmounted, signed in pencil and artist's inkstamp on reverse., Another print illustrated: Kati Horna, 2013, Jeu de Paume and Museo Amparo, page 197. w2779.

Kati Horna: (Holding Mask and Umbrella) from Oda a la Necrofilia 1962, Vintage silver print on matte paper, 8-5/8 x 7-5/8 in. (220 x 194 mm), unmounted., In pencil on verso: Espejo, SNOB, Leonora Carrington, Fetiches, circled 12, signature, and black ink credit stamp. w3310.

Kati Horna: (Seated foot of bed) from Oda a la Necrofilia 1962, Vintage silver print on matte paper, 8-9/16 x 7-1/2 in. (218 x 192 mm), unmounted., Signed in pencil on verso and with black ink credit stamp "Foto Kati Horna/ Mexico, D.F. 14-28-55". The model is Leonora Carrington. w3311.

Kati Horna: (Seated on bed) from Oda a la Necrofilia 1962, Vintage silver print on matte paper, 9-3/4 x 7-3/4 in. (249 x 198 mm), unmounted., In pencil on verso: signature, "Leonora Carrington, Fetiches, SNOB" and with black ink credit stamp "Foto Kati Horna". w3312.

Kati Horna: Untitled, from "Historia de un vampiro. Sucedio en Coyoacan" 1962, Vintage silver print, signed bottom left recto, 7-3/8 x 9-3/8 in. (188 x 239 mm), on original mount, trimmed to image. w2986.

Kati Horna: Untitled, from Oda a la Necrofilia 1962, Vintage silver print on matte paper, 10 x 8 in. (254 x 203 mm), unmounted, signed in pencil verso., Variant prints illustrated: Kati Horna, 2013, Jeu de Paume and Museo Amparo, page 159-165. Black inkstamp on verso and 19921 in pencil upper right corner. The model is artist Leonora Carrington. w2939.

Kati Horna: Untitled, from Oda a la Necrofilia 1962, Vintage silver print, signed and stamped on verso, 9-7/8 x 7-15/16 in. (252 x 203 mm), unmounted., Illustrated: S.nob num. 2, 27 June 1962. Also, Kati Horna, 2013, Museum Amparo and Jeu de Paume, page 161. The model is artist Leonora Carrington. w3183.

Laura Gilpin: El Castillo, Chichen Itza, from the Dance Platform 1961, 10-11/16 x 13-3/4 in. (272 x 350 mm), on original mount, signed and dated in pencil., With artist's label with typed title and date on reverse of mount. w5120.

Lola Alvarez Bravo: Nude ( Maudelle Bass) 1947 / 60's, Silver print, 9-3/16 x 7-1/8 in. (234 x 182 mm), unmounted., CCP has a number negatives of nudes in the LAB archive and also holds a print of Maudelle from 1947. Famous as a dancer and model, she posed for many other important artists, including Weston and Rivera. w5137.

Lola Alvarez Bravo: Discriminados, Pazcuaro, Michoacan c. 1958 / 1981, Silver print, 8-1/16 x 6-5/8 in. (205 x 169 mm), unmounted. w3329.

Lola Alvarez Bravo: (Urban Dog) c. 1960, Vintage silver print, 3-7/8 x 5-7/8 in. (100 x 150 mm), on original mount, signed in pencil recto., With artist's inkstamp on verso of mount. w3090.

Louis François Saugrin: Study of Brother and Sister 1852, Quarter plate daguerreotypes, finely hand-colored, signed with stylus, 0 x 0 in. (0 x 0 mm), in original frames. N1198.

Louis Lafon: Construction of École de Droit*. c. 1880, Albumen print, 14-1/8 x 18-1/2 in. (360 x 470 mm), unmounted., Artist's credit "L. Lafon Paris" in negative. On the rue Michelet and rue d'Assas. The trees are in the Luxembourg Garden; behind them is the Pantheon. * HOWEVER, an alternate identification to the one above by David Van Zanten, has just been suggested: the new Medical School built around the same time. w1205.

Louis Lafon: Section de 500m. 1880's, Albumen print from wet collodion negative, 14-1/2 x 18-1/4 in. (368 x 464 mm), unmounted., Artist's credit "L. Lafon Paris " in negative. w1234.

Manuel Alvarez Bravo: Un poco Alegre y Graciosa/ Somewhat Gay and Graceful 1942, Vintage silver print, 6-1/2 x 9-1/2 in. (165 x 241 mm), unmounted, signed in ink on print verso., Illustrated: Kismaric, Manuel Alvarez Bravo, MoMA, 1997, page 185. That print is now in the Thomas Walther Collection at MoMA. w5081.

Manuel Alvarez Bravo: Still image for "The Pearl" 1945, Vintage silver print, 3 x 4 in. (76 x 102 mm), unmounted., Based on a novel by John Steinbeck, the film was directed by Emilio Fernandez, with cinematography by Gabriel Figueroa, who was nominated for a Golden Globe for the film in 1949. P-146 in negative. Pencil title of the film "La Perla" on reverse.With cracking in emulsion in several areas. w2682.

Manuel Alvarez Bravo: (Child Crying) Still made for Bunuel's "Nazarin" 1958, Vintage silver print, 7-1/2 x 9-3/8 in. (191 x 238 mm), unmounted, inkstamp for the film and production company on reverse., The Bunuel film, with cinematography by Gabriel Figureroa and set images by Alvarez Bravo, was an attack on the Catholic Church which also contained a notable surrealistic dream sequence. w2681.

Margaret Bourke-White: Electric Welding, Lincoln Electric Co., Cleveland Ohio c. 1930, Vintage silver print, 12-3/4 x 9-1/4 in. (325 x 235 mm), on original mount signed bottom left., With artist's credit inkstamp and typed caption label on verso of mount. w3170.

Maria Garcia: Photogram 1968-73, Vintage silver print, 10 x 7-15/16 in. (255 x 202 mm), unmounted, signed in pencil verso., With inkstamp "Maria Garcia / Foto Press / Tel. 5-21-36-08 / Av. Morelos 58-2 Piso Mexico, D. F." and pencil signature on verso. w3093.

Maria Garcia: Photogram 1968-73, Vintage silver print, 7-15/16 x 10 in. (202 x 255 mm), unmounted, signed in pencil verso., With inkstamp "Maria Garcia / Foto Press / Tel. 5-21-36-08 / Av. Morelos 58-2 Piso Mexico, D. F." and pencil signature on verso. w3101.

Maria Garcia: Photogram 1968-73, Vintage silver print (solarized nude), 10 x 7-15/16 in. (255 x 202 mm), unmounted, signed in pencil verso. w3095.

Maria Garcia: Photogram 1968-73, Vintage silver print, 7-15/16 x 10 in. (202 x 255 mm), unmounted, signed in pencil verso. w3097.

Maria Garcia: Marigrafia c. 1970, Vintage silver print, 10 x 7-7/8 in. (254 x 201 mm), unmounted, signed in pencil on verso. w3260.

Maria Garcia: Marigrafia c. 1970, Vintage silver print, 7-7/8 x 9-7/8 in. (201 x 251 mm), unmounted, signed and with credit stamp on verso. w3237.

Maria Garcia: Marigrafia c. 1970, Vintage silver print, 10 x 7-15/16 in. (255 x 202 mm), unmounted, signed and with credit stamp on verso. w3238.

Maria Garcia: Marigrafia c. 1970, Vintage silver print, 7-13/16 x 10 in. (200 x 255 mm), unmounted, signed and with credit stamp on verso. w3239.

Maria Garcia: Marigrafia c. 1970, Vintage silver print, 7-15/16 x 10 in. (203 x 254 mm), unmounted, signed on verso. w3240.

Maria Garcia: Marigrafia c. 1970, Vintage silver print, 10 x 7-7/8 in. (254 x 201 mm), unmounted, signed in pencil on recto. w3258.

Maria Garcia: Marigrafia c. 1970, Vintage silver print, 10 x 7-7/8 in. (254 x 201 mm), unmounted, signed in pencil w/ credit inkstamp on verso. w3259.

Mariana Yampolsky: Madre con Hijos 1970's, Vintage silver print, 7-1/2 x 6-5/8 in. (191 x 169 mm), on original mount, signed in pencil on verso. w3042.

Mariana Yampolsky: Puesto de Estrellas 1977/l990's, Silver print, 11 x 10-1/4 in. (280 x 262 mm), unmounted, signed and titled on verso. w3234.

Maxime Du Camp: Ruines á Baalbeck, Syrie 1850, Salt print from waxed paper negative, 6-5/16 x 8-11/16 in. (162 x 222 mm), on original titled mount., Printed in Italy on Du Camp's return from Egypt. Not in the Blanquart Evrard edition; a variant is plate 119. Title and date in pencil on mount: "15 septembre 1850". q1362.

Maxime Du Camp: Thébes, Gournah, trone des colosses 1850, Blanquart-Evrard salt print from waxed paper negative, 8-13/16 x 6-11/16 in. (225 x 170 mm), on original lithographed mount., The inscriptions on the back of one of the Colossi at Gournah. w2140.

Maxime Du Camp: Gournah, Les Colosses 1851, Blanquart-Evrard salt print from waxed paper negative, 6-5/16 x 7-9/16 in. (162 x 193 mm), on original lithographed mount. o1173.

Maxime Du Camp: Karnak, Portique du Temple de Khons 1851, Blanquart-Evrard salt print from waxed paper negative, 8 x 6-1/2 in. (203 x 165 mm), on original lithographed mount., Plate 29 from "Egypt, Nubie, Palestine et Syrie". w5084.

Mikki Ferrill: Storefront Church, Chicago 1972, Vintage silver print, 7-1/2 x 5-3/8 in. (192 x 138 mm), unmounted., With ink credit stamp "Photo by Mikki Ferrill" and initialed with "Chgo. Il 1973" in pencil on verso.1937- w3065.

Mikki Ferrill: Soldier Boys, Bud Billiken Parade 1973, Vintage silver print, 7-15/16 x 5-1/8 in. (202 x 131 mm), unmounted, with embossed credit stamp on recto., With ink credit stamp and "A337/43" and pencil initials and date on verso. Subjects are part of a drill team marching in the annual Chicago Bud Billiken Parade, the largest African American parade in the country. w3062.

Paul Strand: Woman with Hen, Tenancingo, Mexico 1933, Vintage platinum print flush mounted, 4-5/8 x 5-7/8 in. (117 x 149 mm), signed, titled and dated in green ink on reverse., Probably a unique print in platinum. Illustrated: Paul Strand: A Retrospective Monograph , 1971, page 123. w2319.

Rafael Doniz: "Desgranador", Edo Guerrero 1975, Vintage silver print, 0 x 7-3/8 in. (0 x 188 mm), unmounted, signed and titled in pencil verso., Title, signature and date in pencil on verso. w3107.

Rafael Doniz: El sueno, nina chamula, Chiapas 1975, Vintage silver print, 9 x 7 in. (229 x 178 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3127.

Rafael Doniz: Tejar, Edo Michoacan 1977, Vintage silver print, 7-1/8 x 9-1/8 in. (182 x 233 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3119.

Rafael Doniz: (Untitled) Edo. de Guerrero 1978, Vintage silver print, 7-1/8 x 9-1/8 in. (182 x 233 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3117.

Rafael Doniz: El Sueno del Perro 1979, Vintage silver print, 9-7/8 x 13-1/16 in. (251 x 332 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3130.

Rafael Doniz: En el Rincon de la Cocina 1979, Vintage silver print, 9-5/16 x 7-3/8 in. (238 x 188 mm), unmounted, signed and titled in pencil verso., Title, signature and date in pencil on verso. w3105.

Rafael Doniz: Jesus Maria, Sierra del Nayar 1979, Vintage silver print, 7-1/8 x 9-1/8 in. (182 x 233 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3116.

Rafael Doniz: La Mesa del Nayar 1979, Vintage silver print, 12-15/16 x 10 in. (330 x 255 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3123.

Rafael Doniz: La Mesa del Nayar. Nayarit. 1979, Vintage silver print, 12-5/16 x 10 in. (313 x 254 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3128.

Rafael Doniz: "Guajes y Cibollas", Zona Huasteca, San Luis Potosi 1980, Vintage silver print, 7-1/8 x 9-1/8 in. (182 x 233 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3114.

Rafael Doniz: "Offrenda", de la serie Nayari-Cora 1980, Vintage silver print, 10-1/8 x 13-1/8 in. (258 x 335 mm), unmounted, signed and titled in pencil verso., Signature, series name, title and date in pencil on verso. w3126.

Rafael Doniz: (Mitote at Night) De la serie Nayari-Cora 1980, Vintage silver print, 10-1/8 x 13-1/8 in. (258 x 335 mm), unmounted, signed and titled in pencil verso., The figure at bottom right is playing a one-string bow, the ceremonial instrument. w5142.

Rafael Doniz: (Mother and Child) de la serie Náyari-Cora 1980, Vintage silver print, 9 x 7 in. (230 x 178 mm), unmounted, signed in pencil verso. w3103.

Rafael Doniz: De la serie Nayari-Cora (Boy and Girl in Doorway) 1980, Vintage silver print, 13-1/16 x 9-7/8 in. (332 x 251 mm), unmounted, signed and titled in pencil verso., Signature, series name and date in pencil on verso. w3120.

Rafael Doniz: Edo. de Oaxaca 1980, Vintage silver print, 10-5/16 x 13-3/8 in. (262 x 340 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3122.

Rafael Doniz: Napalillo y Guaje Negro, Zona Huasteca, San Luis Potosi 1982, Vintage silver print, 7-1/8 x 9-1/8 in. (182 x 233 mm), unmounted, signed and titled in pencil verso., Signature, title and date in pencil on verso. w3115.

Rafael Doniz: Red. Zona Huasteca San Luis Potosi 1982, Vintage silver print, 9-1/2 x 7-1/4 in. (243 x 185 mm), unmounted, signed in pencil verso., Title, signature and date in pencil on verso. w3104.

Rafael Doniz: "Borrado" (Erased), de la serie Nayari-Cora 1984, Vintage silver print, 9-5/16 x 7-3/8 in. (237 x 187 mm), unmounted, signed and titled in pencil verso., Title, signature and date in pencil on verso. w3108.

Rafael Doniz: "Hermann Estrella Menor", de la serie Nayari-Cora 1984, Vintage silver print, 9-5/16 x 7-3/8 in. (237 x 187 mm), unmounted, signed and titled in pencil verso., Title, signature and date in pencil on verso. w3109.

Rafael Doniz: De la serie Nayari-Cora 1984, Vintage silver print, 6-7/8 x 9 in. (176 x 230 mm), unmounted, signed and titled in pencil verso., Signature, series name and date in pencil on verso. w3112.

Rafael Doniz: De la serie Nayari-Cora (Boy's back) 1984, Vintage silver print, 13-1/16 x 9-7/8 in. (332 x 251 mm), unmounted, signed and titled in pencil verso., Signature, series name and date in pencil on verso. w3121.

Rafael Doniz: De la serie Nayari-Cora (Untitled, Boy with bird) 1984, Vintage silver print, 6-7/8 x 9 in. (176 x 230 mm), unmounted, signed and titled in pencil verso., Signature, series name and date in pencil on verso. w3113.

Rafael Doniz: Sierra de Nayar, de la serie Nayari-Cora 1984, Vintage silver print, 9-5/16 x 7-3/8 in. (238 x 188 mm), unmounted, signed and titled in pencil verso., Title, signature and date in pencil on verso. w3106.

Rafael Doniz: (Untitled, line of women watching) de la serie Nayari-Cora 1986, Vintage silver print, 6-7/8 x 9 in. (176 x 230 mm), unmounted, signed and titled in pencil verso., Signature, series name and date in pencil on verso. w3111.

Rafael Doniz: Las venaditas III, de la serie Nayari-Cora 1986, Vintage silver print, 10-1/8 x 13-1/8 in. (258 x 335 mm), unmounted, signed and titled in pencil verso., Signature, series name, title and date in pencil on verso. w3125.

Robert Macpherson: Temple Della Tossa, near Tivoli c. 1860, Albumen print from wet collodion negative, 11-9/16 x 15-3/8 in. (294 x 392 mm), on original mount with artist's blindstamp and pencil number 120. w2799.

Robert Macpherson: The Pantheon, Rome c. 1860, Albumen print from wet collodion negative, 11-1/4 x 14-1/4 in. (287 x 363 mm), on original mount with artist's blindstamp and pencil number 236. w2800.

Sally Mann: The Wet Bed 1987, Gelatin silver enlargement print, 18-7/8 x 23 in. (479 x 584 mm), unmounted, signed, titled, dated and numbered in pencil on verso, edition of 25. z1093.

Sally Mann: Hayhook 1989, Gelatin silver enlargement print, 18-5/8 x 23-1/4 in. (473 x 591 mm), unmounted, signed, titled, dated and numbered in pencil on verso, edition of 25. z1092.

W. H. F. Talbot (Circle of): Norman Stairway, Canterbury c. 1846, Salt print from paper negative, 6-3/4 x 8-3/4 in. (172 x 223 mm), unmounted, untrimmed., Illustrated: The Photographic Work of Calvert Richard Jones, Buckman, Science Museum London, 1990, cc25. Photographer's number 83 in negative. Negative is in the NMPFT, 1937-3089, it is LA695B in the Lacock Abbey collection. Schaaf 3346 in his catalogue raisonne. However, recent research suggests it may be by another, as yet unknown artist. Sheet size 193 by 240mm. Possibly Calvert Jones or Bridges. Z1039.

Walker Evans: Interior, West Virginia coal miner's house 1935 / 70's, Silver print, artist's stamp on verso, 10 x 7-5/8 in. (255 x 194 mm), unmounted, with borders., Illustrated: American Photographs, 1938, and many other places. w2760.

Walker Evans: Washroom and Dining Area of Floyd Burroughs' Home 1936 / 70's, Silver print enlargement, artist's stamp on verso, 13-1/4 x 9-5/8 in. (337 x 245 mm), unmounted. w2759.

Walker Evans: Blind Street Musicians, Halstead Street, Chicago 1941, Silver print made by 1956, 4-5/8 x 6-7/8 in. (118 x 175 mm), on original mount trimmed to image., With artist's credit stamp and various MoMA stamps plus a "Diogenes with a Camera III, Jan 18-Mar 18 1956" label on reverse, with MoMA Study Collection label on later mount. (minor handling crimp upper center). w2494.

William H. Jackson: Cathedral Spires, Garden of the Gods c. 1880, Albumen print from wet collodion negative, 9 x 11-3/8 in. (230 x 290 mm), on original album mount. w2396.

William H. Jackson: The Gate Rocks, Garden of the Gods c. 1880, Albumen print from wet collodion negative, 9-5/8 x 8-5/8 in. (245 x 220 mm), on original album mount., With another print on reverse of mount "Dutch Wedding Rocks, Monument Park, Col. D &R.G.R.R." by C.R. Savage. w2394.

William H. Jackson: Tower of Babel, Garden of the Gods c. 1880, Albumen print from wet collodion negative, 9-5/8 x 8-5/8 in. (245 x 220 mm), on original album mount., With another print on reverse of mount "On the Road to the Garden of the Gods". w2393.

William Henry Fox Talbot: Detail of a Tower, Orleans Cathedral June 21, 1843, Salt print from paper negative, 6-7/16 x 8 in. (164 x 204 mm), unmounted, untrimmed. z1114.

William Henry Fox Talbot: Lock Katrine Pier, Scene of "The Lady of the Lake" 1844, Salt print from paper negative, 6-7/8 x 8-1/4 in. (175 x 210 mm), unmounted, untrimmed. z1150.

Yolanda Andrade: El jardin, Mexico City ca. 2005, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3273.

Yolanda Andrade: Cuadros 1978, Vintage silver print, 9 x 13-1/4 in. (229 x 337 mm), unmounted, signed dated and titled in pencil verso., $5,000 w2971.

Yolanda Andrade: Las Amantes, CDMX 1978, Vintage silver print, signed, titled and dated on verso, 9-3/16 x 6 in. (234 x 153 mm), unmounted. w3165.

Yolanda Andrade: Le Espera 1978, Vintage silver print, 6-1/4 x 9-1/4 in. (159 x 235 mm), unmounted, signed dated and titled in pencil verso., Illustrated: page 37, Andrade, Los Velos Transparentes, Las Transparencias Veladas, 1988, Gobierno del Estado de Tabasco. w2948.

Yolanda Andrade: El y Ellas 1981, Vintage silver print, 12-1/4 x 8-1/4 in. (311 x 210 mm), unmounted, signed dated and titled in pencil verso., Illustrated: page 31, Andrade, Los Velos Transparentes, Las Transparencias Veladas, 1988, Gobierno del Estado de Tabasco. w3155.

Yolanda Andrade: Ana Elsa Y Picaso 1982, Vintage silver print, signed, titled and dated on verso, 9 x 12 in. (229 x 305 mm), unmounted. w3146.

Yolanda Andrade: Benito Juarez y las leyes de Reforma, CDMX 1982, Vintage silver print, signed, titled and dated on verso, 8-15/16 x 13-3/8 in. (228 x 340 mm), unmounted. w3156.

Yolanda Andrade: Retrato de Una Amiga 1982, Vintage silver print, 12 x 7-3/4 in. (305 x 197 mm), unmounted, signed, dated and titled in pencil on verso., Illustrated: page 40, Andrade, Los Velos Transparentes, Las Transparencias Veladas, 1988, Gobierno del Estado de Tabasco. w3033.

Yolanda Andrade: Via Crucis en el Zocalo, CDMX 1982, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-9/16 in. (214 x 320 mm), unmounted. w3157.

Yolanda Andrade: Jaime Vite (from the Strip Club series) 1984, Vintage silver print, 7-3/4 x 11-3/4 in. (197 x 298 mm), unmounted, signed, dated and titled in pencil on verso. w3036.

Yolanda Andrade: Paisaje Urbano, CDMX 1985, Vintage silver print, signed, titled and dated on verso, 9 x 12 in. (229 x 305 mm), unmounted. w3149.

Yolanda Andrade: Sor Juana y La Muerte 1985, Vintage silver print, 8-3/8 x 12-1/2 in. (213 x 318 mm), unmounted, signed dated and titled in pencil verso., Illustrated: page 67, Andrade, Los Velos Transparentes, Las Transparencias Veladas, 1988, Gobierno del Estado de Tabasco. w2945.

Yolanda Andrade: "La Revelacion" Mexico City 1986, Vintage silver print, 18 x 12 in. (457 x 305 mm), unmounted, signed, dated and titled on verso in pencil., Illustrated: Yolanda Andrade, Pasion Mexicana / Mexican Passion, page 65, Conaculta-FONCA, 2002. Cover image. w3220.

Yolanda Andrade: Escenarios, CDMX 1986, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-5/8 in. (214 x 322 mm), unmounted. w3161.

Yolanda Andrade: La Television, CDMX 1986, Vintage silver print, signed, titled and dated on verso, 8-1/4 x 12-3/16 in. (210 x 310 mm), unmounted. w3151.

Yolanda Andrade: 2 de Octubre, CDMX 1988, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-5/8 in. (214 x 322 mm), unmounted. w3162.

Yolanda Andrade: El Cabillito (The Little Horse), CDMX 1988, Vintage silver print, 18 x 12 in. (457 x 305 mm), unmounted, signed, titled and dated in pencil on reverse. w3231.

Yolanda Andrade: El Misterio 1988, Vintage silver print, 12-1/2 x 8-1/4 in. (318 x 210 mm), unmounted, signed dated and titled in pencil verso., Illustrated: Andrade, Los Velos Transparentes, Las Transparencias Veladas, 1988, page 6, Gobierno del Estado de Tabasco. w2960.

Yolanda Andrade: La Nina de los Cristos, CDMX 1989, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-5/8 in. (214 x 321 mm), unmounted. w3153.

Yolanda Andrade: Como me ves te verás - As You See Me You Will See Yourself 1990, Vintage silver print, 12 x 18 in. (305 x 457 mm), unmounted, signed, dated and titled in pencil on verso., Illustrated: Yolanda Andrade, Pasion Mexicana / Mexican Passion, page 65, Conaculta-FONCA, 2002. w3024.

Yolanda Andrade: La Noticia, CDMX 1990, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-5/8 in. (214 x 321 mm), unmounted. w3158.

Yolanda Andrade: Las Muertes hilarantes - The Laughing Dead 1990, Vintage silver print, 8-3/8 x 12-1/2 in. (213 x 318 mm), unmounted, signed dated and titled in pencil verso., Illustrated: Yolanda Andrade, Pasion Mexicana / Mexican Passion, page 65, Conaculta-FONCA, 2002. w2944.

Yolanda Andrade: El Teatro de la Muerte 1991, Vintage silver print, 8-9/16 x 13-1/16 in. (218 x 333 mm), unmounted, signed, dated and titled on verso in pencil. w3217.

Yolanda Andrade: Las Alas Del Deseo / The Wings of Desire 1993, Vintage silver print, 11-3/4 x 8-1/8 in. (298 x 206 mm), unmounted, signed, dated and titled in pencil on verso. w3029.

Yolanda Andrade: Maromeros, CDMX 1993, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-1/2 in. (214 x 319 mm), unmounted. w3152.

Yolanda Andrade: Quinceanera, CDMX 1993, Vintage silver print, signed, titled and dated on verso, 12-1/2 x 8-3/8 in. (318 x 213 mm), unmounted. w3154.

Yolanda Andrade: Stiletto (AIDS Memorial) 1993, Vintage silver print, 17-3/4 x 11-7/8 in. (451 x 302 mm), unmounted, signed, dated and titled in pencil on verso., Further caption: (A street altar on the day of the Dead to remember a man who died of AIDS). Illustrated: Yolanda Andrade, Pasion Mexicana / Mexican Passion, page 65, Conaculta-FONCA, 2002. w3031.

Yolanda Andrade: El Brazo Protector, CDMX 1994, Vintage silver print, signed, titled and dated on verso, 9 x 12 in. (229 x 305 mm), unmounted. w3148.

Yolanda Andrade: Granaderos y Mujer, CDMX 1994, Vintage silver print, signed, titled and dated on verso, 8-7/16 x 12-5/8 in. (215 x 321 mm), unmounted. w3150.

Yolanda Andrade: Una limosna para estos actores, CDMX 1994, Vintage silver print, signed, titled and dated on verso, 8-3/8 x 12-5/8 in. (214 x 322 mm), unmounted. w3163.

Yolanda Andrade: Al cruzar la calle, CDMX 1997, Vintage silver print, signed, titled and dated on verso, 5-15/16 x 8-7/8 in. (152 x 227 mm), unmounted. w3166.

Yolanda Andrade: Cristo Te Ama / Christ Loves You 1997, Vintage silver print, 6 x 9 in. (152 x 229 mm), unmounted, signed, dated and titled in pencil on verso., Confirm measure Illustrated: Yolanda Andrade, Pasion Mexicana / Mexican Passion, page 65, Conaculta-FONCA, 2002. w3027.

Yolanda Andrade: El Mar, Veracruz 2003, Vintage silver print, signed, titled and dated on verso, 6 x 9 in. (154 x 229 mm), unmounted. w3168.

Yolanda Andrade: El muro rosa, Tlacotalpan, Veracruz 2003, Vintage Lambda print, 8 x 10 in. (203 x 254 mm), unmounted. w3263.

Yolanda Andrade: Formas, Mexico City 2003, Vintage Inkjet print, 8.5 x 11 in. (216 x 279 mm), unmounted. w3266.

Yolanda Andrade: La Bendicion, CDMX 2003, Vintage silver print, signed, titled and dated on verso, 8-7/16 x 12-5/8 in. (215 x 321 mm), unmounted. w3160.

Yolanda Andrade: El vaso rojo, Juchitan, Oaxaca 2004, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3267.

Yolanda Andrade: Pinturas sobre graffiti, Mexico City 2004, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3270.

Yolanda Andrade: El pelicano, Villahermosa, Tabasco 2005, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3272.

Yolanda Andrade: Estrellas, Mexico City 2005, Vintage Lambda print, 8 x 10 in. (203 x 254 mm), unmounted. w3265.

Yolanda Andrade: Retratos de familia, Mexico City 2006, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3274.

Yolanda Andrade: Toluca, Mexico City 2007, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3271.

Yolanda Andrade: La case de Munecas, Xalapa, Veracruz 2008, Vintage Lambda print, 8 x 10 in. (203 x 254 mm), unmounted. w3262.

Yolanda Andrade: Domingo en Xochimilco, Mexico City 2009, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3269.

Yolanda Andrade: Delfines, Mexico City 2010, Vintage Lambda print, 8 x 10 in. (203 x 254 mm), unmounted. w3264.

Yolanda Andrade: La calle, Mexico City 2010, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3268.

Yolanda Andrade (Color): Huellas, Mexico City 2006, Vintage Lambda print, 11 x 14 in. (279 x 356 mm), unmounted. w3277.